cadenzan.

Brit.

/kəˈdɛnzə/, U.S.

/kəˈdɛnzə/

Etymology: Italian; see cadence n.

Music.

A flourish of indefinite form given to a solo voice or instrument at the close of a movement, or between two divisions of a movement. (Sometimes called cadence: the use of the Italian word is designed to differentiate the two.)

ΘΚΠ

society > leisure > the arts > music > piece of music > section of piece of music > ornament > [noun] > cadenza

cadenza1836

cadence1867

1753 Chambers's Cycl. Suppl. Cadenza Sfuggita, in the Italian music.]

1836 Penny Cycl. VI. 100/1 Formerly the Cadenza was, by Italian as well as English singers, considered indispensable..The French never admitted it.

1879 H. Parry in G. Grove Dict. Music I. 294 The cadenza usually starts from a pause on a chord of 6–4 on the dominant, preparatory to the final close of the movement, and its object is to show off the skill of the performer..It was formerly customary to leave the cadenzas for improvisation.

This entry has not yet been fully updated (first published 1888; most recently modified version published online December 2021).

单词	cadenza
释义	cadenzan. Brit. /kəˈdɛnzə/, U.S. /kəˈdɛnzə/ Etymology: Italian; see cadence n. Music. A flourish of indefinite form given to a solo voice or instrument at the close of a movement, or between two divisions of a movement. (Sometimes called cadence: the use of the Italian word is designed to differentiate the two.) ΘΚΠ society > leisure > the arts > music > piece of music > section of piece of music > ornament > [noun] > cadenza cadenza1836 cadence1867 1753 Chambers's Cycl. Suppl. Cadenza Sfuggita, in the Italian music.] 1836 Penny Cycl. VI. 100/1 Formerly the Cadenza was, by Italian as well as English singers, considered indispensable..The French never admitted it. 1879 H. Parry in G. Grove Dict. Music I. 294 The cadenza usually starts from a pause on a chord of 6–4 on the dominant, preparatory to the final close of the movement, and its object is to show off the skill of the performer..It was formerly customary to leave the cadenzas for improvisation. This entry has not yet been fully updated (first published 1888; most recently modified version published online December 2021). < n.1836
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