overdottedadj.adv.

Brit.

/ˌəʊvəˈdɒtᵻd/, U.S.

/ˌoʊvərˈdɑdəd/

Origin: Formed within English, by derivation. Etymons: overdot v., -ed suffix¹.

Etymology: < overdot v. + -ed suffix¹.

Music.

A. adj.

Relating to or characterized by the lengthening of dotted notes.

ΘΚΠ

society > leisure > the arts > music > written or printed music > notation > [adjective] > dotted (of notes)

pricked1659

dottedc1760

overdotted1960

1960 E. Bodky Interpr. Bach's Keyboard Wks. vi. 191 It is quite obvious that in the Prelude in F sharp major, W.K. II, the overdotted playing creates no difficulties at all.

1986 D. M. Randel New Harvard Dict. Music 239/2 Dots whose value is the same as that of the unequal notes..should be lengthened in the same proportion as unequal notes on ‘strong’ subdivisions of the beat, producing an overdotted effect.

1999 C. Brown Classical & Romantic Performing Pract. 1750–1900 xvi. 623 Mozart would have expected a rhythmically precise performance of the dotted figures rather than an over-dotted one.

B. adv.

(Played) in a manner in which dotted notes are lengthened.

ΚΠ

1960 E. Bodky Interpr. Bach's Keyboard Wks. vi. 191 Technically, ‘unequal’ performance would be much easier, because it would spare us the constant vigilance over which rhythms to play ‘overdotted’ and which to play as written.

1988 Early Music 16 597 How can one justify playing the same figure overdotted in bars 5, 6, 17 and 20 but as written in bar 7?

This is a new entry (OED Third Edition, December 2004; most recently modified version published online March 2022).

单词	overdotted
释义	overdottedadj.adv. Brit. /ˌəʊvəˈdɒtᵻd/, U.S. /ˌoʊvərˈdɑdəd/ Origin: Formed within English, by derivation. Etymons: overdot v., -ed suffix¹. Etymology: < overdot v. + -ed suffix¹. Music. A. adj. Relating to or characterized by the lengthening of dotted notes. ΘΚΠ society > leisure > the arts > music > written or printed music > notation > [adjective] > dotted (of notes) pricked1659 dottedc1760 overdotted1960 1960 E. Bodky Interpr. Bach's Keyboard Wks. vi. 191 It is quite obvious that in the Prelude in F sharp major, W.K. II, the overdotted playing creates no difficulties at all. 1986 D. M. Randel New Harvard Dict. Music 239/2 Dots whose value is the same as that of the unequal notes..should be lengthened in the same proportion as unequal notes on ‘strong’ subdivisions of the beat, producing an overdotted effect. 1999 C. Brown Classical & Romantic Performing Pract. 1750–1900 xvi. 623 Mozart would have expected a rhythmically precise performance of the dotted figures rather than an over-dotted one. B. adv. (Played) in a manner in which dotted notes are lengthened. ΚΠ 1960 E. Bodky Interpr. Bach's Keyboard Wks. vi. 191 Technically, ‘unequal’ performance would be much easier, because it would spare us the constant vigilance over which rhythms to play ‘overdotted’ and which to play as written. 1988 Early Music 16 597 How can one justify playing the same figure overdotted in bars 5, 6, 17 and 20 but as written in bar 7? This is a new entry (OED Third Edition, December 2004; most recently modified version published online March 2022). < adj.adv.1960
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