aesthiologyn.

Brit.

/ˌiːsθɪˈɒlədʒi/,

/ˌɛsθɪˈɒlədʒi/, U.S.

/ˌɛsθiˈɑlədʒi/

Origin: Either (i) formed within English, by compounding. Or (ii) a borrowing from Greek, combined with English elements. Etymons: -i- connective, -o- connective, -logy comb. form; Greek αἰσθάνεσθαι , -i- connective, -o- connective, -logy comb. form.

Etymology: Either < aesth- (in aesthesia n.) + -i- connective + -o- connective + -logy comb. form, or < the stem of ancient Greek αἰσθάνεσθαι to perceive (see aesthesis n.) + -i- connective + -o- connective + -logy comb. form.

rare.

The study of the structure or function of the sensory organs.

ΘΚΠ

the world > life > the body > study of body > study of sense organs > [noun]

aesthiology1831

aestho-physiology1869

1831 D. Craigie in Encycl. Brit. at Anatomy Comparative Æsthiology, or the comparative anatomy of the organs of sensation.

1968 G. Majno tr. L. Belloni in Arch. Dermatol. 97 103/1 For Galileo's and Malpighi's new mechanistic aesthiology, the sense of touch is taken as a model for the other senses.

This entry has been updated (OED Third Edition, December 2011; most recently modified version published online December 2021).

单词	aesthiology
释义	aesthiologyn. Brit. /ˌiːsθɪˈɒlədʒi/, /ˌɛsθɪˈɒlədʒi/, U.S. /ˌɛsθiˈɑlədʒi/ Origin: Either (i) formed within English, by compounding. Or (ii) a borrowing from Greek, combined with English elements. Etymons: -i- connective, -o- connective, -logy comb. form; Greek αἰσθάνεσθαι , -i- connective, -o- connective, -logy comb. form. Etymology: Either < aesth- (in aesthesia n.) + -i- connective + -o- connective + -logy comb. form, or < the stem of ancient Greek αἰσθάνεσθαι to perceive (see aesthesis n.) + -i- connective + -o- connective + -logy comb. form. rare. The study of the structure or function of the sensory organs. ΘΚΠ the world > life > the body > study of body > study of sense organs > [noun] aesthiology1831 aestho-physiology1869 1831 D. Craigie in Encycl. Brit. at Anatomy Comparative Æsthiology, or the comparative anatomy of the organs of sensation. 1968 G. Majno tr. L. Belloni in Arch. Dermatol. 97 103/1 For Galileo's and Malpighi's new mechanistic aesthiology, the sense of touch is taken as a model for the other senses. This entry has been updated (OED Third Edition, December 2011; most recently modified version published online December 2021). < n.1831
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