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单词 double fugue
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double fugue
1. ‘A polyphonic composition constructed on one or more short subjects or themes, which are harmonized according to the laws of counterpoint, and introduced from time to time with various contrapuntal devices’ (Stainer and Barrett). double fugue (see quot. 1880).
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society > leisure > the arts > music > piece of music > type of piece > piece in specific form > [noun] > fugue
fugue1597
society > leisure > the arts > music > piece of music > type of piece > piece in specific form > [noun] > fugue > type of
in nomine1565
ricercatac1715
ricercare1773
fugato1876
fughetta1876
triple fugue1876
double fugue1880
tiento1905
mirror fugue1931
clausula1944
1597 T. Morley Plaine & Easie Introd. Musicke 76 We call that a Fuge, when one part beginneth and the other singeth the same, for some number of notes (which the first did sing).
1626 F. Bacon Sylua Syluarum §113 The Reports and Fuges have an Agreement with the Figures in Rhetorick, of Repetition, and Traduction.
a1646 J. Gregory Posthuma (1649) 48 The Contrapunctum figuratum, consisting of Feuges, or mainteining of Points.
1667 S. Pepys Diary 15 Sept. (1974) VIII. 438 The sense of the words being lost by not being heard, and especially as they set them with Fuges of words, one after another.
1667 J. Milton Paradise Lost xi. 563 His volant touch Instinct through all proportions low and high Fled and pursu'd transverse the resonant fugue . View more context for this quotation
1795 W. Mason Ess. Eng. Church Music i. 59 The Fugue is indeed come into disrepute with Modern Masters.
1875 F. A. G. Ouseley Treat. Musical Form ii. 4 The art of Fugue can be mastered thoroughly by dint of laborious application.
1880 G. Grove Dict. Music I. 459 Double Fugue, a common term for a fugue on two subjects, in which the two start together.
in extended use.1863 ‘G. Eliot’ Romola I. i. 26 Elderly market-women..contributed a wailing fugue of invocation.in combination.1869 F. A. G. Ouseley Treat. Counterpoint xviii. 150 Of all kinds of musical composition none perhaps is so important as the art of fugue-writing.1876 J. Stainer & W. A. Barrett Dict. Musical Terms 181/1 The simplest form of diatonic fugue-subject is that which lies in a compass of a fifth.1959 D. Cooke Lang. Music i. 8 A typical contrapuntal point or fugue-subject has no real significance until it takes its place in the construction as a whole.
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