Sumarokov, Aleksandr

Sumarokov, Aleksandr Petrovich

Born Nov. 14 (25), 1717, in St. Petersburg; died Oct. 1 (12), 1777, in Moscow. Russian writer.

Sumarokov came from an old family of the nobility. From 1732 to 1740 he studied at the Military Academy for the Nobility, where he began writing poetry. Sumarokov gained fame with his love songs, which circulated in manuscript. M. V. Lomonosov, an advocate of civic themes in poetry, disapproved of these works, and Sumarokov replied with his Critique of the Ode.

In the Epistle on Versification (1747), Sumarokov formulated the poetics of the main genres of classicism, particularly the comedy and the fable. The polemics between Lomonosov and Sumarokov in the 1750’s constituted an important stage in the establishment of the aesthetics and methodology of Russian classicism.

Sumarokov wrote a number of verse tragedies, including Khorev (1747), Hamlet (1748), and Sinav and Tntvor (1750), which combined love motifs with social and philosophical problems. Sumarokov’s plays formed the basis of the repertoire of the first professional, permanent Russian public theater, which Sumarokov directed from 1756 to 1761. The performers in Sumarokov’s plays were the first professional Russian actors.

In 1759, Sumarokov published the first Russian literary journal, Trudoliubivaia pchela (The Industrious Bee). In the late 1750’s and early 1760’s he wrote fables that castigated bureaucratic arbitrariness, bribery, and the inhuman treatment of serfs by landowners. During the 1770’s, Sumarokov wrote his best comedies, The Imaginary Cuckold, The Mother as Rival of Her Daughter, and The Troublesome Girl (all 1772), as well as his best tragedies, The False Demetrius (1771) and Mstislav (1774). Sumarokov’s comedies are satires of mores; in them, the author differentiates the characters by their speech, thus anticipating the comedies of D. I. Fonvizin. In 1774, Sumarokov published the collections Satires and Elegies.

Sumarokov, his followers, and his successors helped establish classicism in Russian literature. Sumarokov also wrote articles on philosophy and political economy.

WORKS

Poln. sobr. vsekh soch. v. stikhakh i proze, 2nd ed., parts 1–10. Moscow, 1787.
Stikhotvoreniia. [Introductory article by P. N. Berkov.] Leningrad, 1953.
Izbr. proizv. [Introductory article by P. N. Berkov.] Leningrad, 1957.

REFERENCES

Gukovskii, G. A. O sumarokovskoi tragedii. In Poetika: Sb. st., fasc. 1. Leningrad, 1926.
Berkov, P. N. Sumarokov, 1717–1777. Leningrad-Moscow, 1949.
Serman, I. Z. Russkii klassitsizm. Leningrad, 1973.
Istoriia russkoi literatury XVIII v.: Bibliograficheskii ukazatel’. Leningrad, 1968.

I. Z. SERMAN

单词	sumarokov, aleksandr
释义	Sumarokov, Aleksandr Sumarokov, Aleksandr Petrovich Born Nov. 14 (25), 1717, in St. Petersburg; died Oct. 1 (12), 1777, in Moscow. Russian writer. Sumarokov came from an old family of the nobility. From 1732 to 1740 he studied at the Military Academy for the Nobility, where he began writing poetry. Sumarokov gained fame with his love songs, which circulated in manuscript. M. V. Lomonosov, an advocate of civic themes in poetry, disapproved of these works, and Sumarokov replied with his Critique of the Ode. In the Epistle on Versification (1747), Sumarokov formulated the poetics of the main genres of classicism, particularly the comedy and the fable. The polemics between Lomonosov and Sumarokov in the 1750’s constituted an important stage in the establishment of the aesthetics and methodology of Russian classicism. Sumarokov wrote a number of verse tragedies, including Khorev (1747), Hamlet (1748), and Sinav and Tntvor (1750), which combined love motifs with social and philosophical problems. Sumarokov’s plays formed the basis of the repertoire of the first professional, permanent Russian public theater, which Sumarokov directed from 1756 to 1761. The performers in Sumarokov’s plays were the first professional Russian actors. In 1759, Sumarokov published the first Russian literary journal, Trudoliubivaia pchela (The Industrious Bee). In the late 1750’s and early 1760’s he wrote fables that castigated bureaucratic arbitrariness, bribery, and the inhuman treatment of serfs by landowners. During the 1770’s, Sumarokov wrote his best comedies, The Imaginary Cuckold, The Mother as Rival of Her Daughter, and The Troublesome Girl (all 1772), as well as his best tragedies, The False Demetrius (1771) and Mstislav (1774). Sumarokov’s comedies are satires of mores; in them, the author differentiates the characters by their speech, thus anticipating the comedies of D. I. Fonvizin. In 1774, Sumarokov published the collections Satires and Elegies. Sumarokov, his followers, and his successors helped establish classicism in Russian literature. Sumarokov also wrote articles on philosophy and political economy. WORKS Poln. sobr. vsekh soch. v. stikhakh i proze, 2nd ed., parts 1–10. Moscow, 1787. Stikhotvoreniia. [Introductory article by P. N. Berkov.] Leningrad, 1953. Izbr. proizv. [Introductory article by P. N. Berkov.] Leningrad, 1957. REFERENCES Gukovskii, G. A. O sumarokovskoi tragedii. In Poetika: Sb. st., fasc. 1. Leningrad, 1926. Berkov, P. N. Sumarokov, 1717–1777. Leningrad-Moscow, 1949. Serman, I. Z. Russkii klassitsizm. Leningrad, 1973. Istoriia russkoi literatury XVIII v.: Bibliograficheskii ukazatel’. Leningrad, 1968. I. Z. SERMAN
随便看	tom and jerry feture-length movies tom and jerry (mgm) tom and jerry series guide tom and jerry (tv series) to man the yards tom aquinas tomar tomara tomaras to march with tomares tomari tomari (disambiguation) to mark a point to mark out to mark time tomarovka tomarr to marry ropes tomas tomas antonio gonzaga tomas de aquino tomas de torquemada tomas fredrik weiby barth tomas garrigue masaryk