neo-impressionism

ne·o·im·pres·sion·ism

or ne·o-im·pres·sion·ism N0057600 (nē′ō-ĭm-prĕsh′ə-nĭz′əm)n. A movement in late 19th-century painting led by Georges Seurat that was stricter and more formal than impressionism in composition and employed pointillism as a technique.

ne′o·im·pres′sion·ist adj. & n.

ne•o-im•pres•sion•ism

or Ne•o-Im•pres•sion•ism

(ˌni oʊ ɪmˈprɛʃ əˌnɪz əm)

n. a late 19th-century French artistic theory and practice, characterized chiefly by the use of pointillist techniques. [1890–95] ne`o-im•pres′sion•ist, n., adj.

Neo-Impressionism

Pointillism.See also: Art

Neo-Impressionism

an art trend that originated around 1885 in France, where its principal representatives were G. Seurat and P. Signac. Neo-impressionism spread to Belgium (T. van Rysselberghe), Italy (G. Segantini), and other countries. In developing the principles of late impressionism, which was marked by an intensified interest in optic phenomena, the neo-impressionists sought to apply the latest discoveries in optics to art. They methodically broke down complex color tones into pure colors. Seeking to overcome the haphazard and fragmentary nature of impressionist compositions, the neo-impressionists resorted to decorative, two-dimensional compositional solutions. The cerebral method of neo-impressionism often led to the predominance of cold intellectualism and to a dry abstractness of images.

REFERENCES

Signac, P. Ot Ezh. Delakrua k neoimpressionizmu, Moscow, 1913.
Rewald, J. Postimpressionism. Leningrad-Moscow, 1962. (Translated from English.)

单词	neo-impressionism
释义	neo-impressionism ne·o·im·pres·sion·ism or ne·o-im·pres·sion·ism N0057600 (nē′ō-ĭm-prĕsh′ə-nĭz′əm)n. A movement in late 19th-century painting led by Georges Seurat that was stricter and more formal than impressionism in composition and employed pointillism as a technique. ne′o·im·pres′sion·ist adj. & n. ne•o-im•pres•sion•ism or Ne•o-Im•pres•sion•ism (ˌni oʊ ɪmˈprɛʃ əˌnɪz əm) n. a late 19th-century French artistic theory and practice, characterized chiefly by the use of pointillist techniques. [1890–95] ne`o-im•pres′sion•ist, n., adj. Neo-Impressionism Pointillism.See also: Art Neo-Impressionism Neo-Impressionism an art trend that originated around 1885 in France, where its principal representatives were G. Seurat and P. Signac. Neo-impressionism spread to Belgium (T. van Rysselberghe), Italy (G. Segantini), and other countries. In developing the principles of late impressionism, which was marked by an intensified interest in optic phenomena, the neo-impressionists sought to apply the latest discoveries in optics to art. They methodically broke down complex color tones into pure colors. Seeking to overcome the haphazard and fragmentary nature of impressionist compositions, the neo-impressionists resorted to decorative, two-dimensional compositional solutions. The cerebral method of neo-impressionism often led to the predominance of cold intellectualism and to a dry abstractness of images. REFERENCES Signac, P. Ot Ezh. Delakrua k neoimpressionizmu, Moscow, 1913. Rewald, J. Postimpressionism. Leningrad-Moscow, 1962. (Translated from English.)
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