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单词 perielesis
释义

perielesisn.

Origin: A borrowing from Greek. Etymon: Greek περιείλησις.
Etymology: < Hellenistic Greek περιείλησις rolling round, revolution < ancient Greek περι- peri- prefix + εἴλησις whirling < εἰλεῖν to wind ( < the same base as ἕλιξ helix n.) + -σις -sis suffix. In quot. ?1775 after French périelese (1768 in the passage translated). N.E.D. (1905) gives the pronunciation as (pe:riˌilī·sis) /ˌpɛrɪiːˈliːsɪs/.
Early Music. Obsolete. rare.
A long ligature or series of notes sung to one syllable, usually towards the end of a phrase or melody. Cf. ligature n. 4.
ΘΚΠ
society > leisure > the arts > music > piece of music > section of piece of music > ornament > [noun] > in vocal music
coloratura1740
perielesis?1775
colorature1828
melisma1938
?1775 W. Waring tr. J.-J. Rousseau Dict. Music 316 Perielesis, a term of church-music. It is the interposition of one or more notes in the intonation of certain pieces of music, to assure their final, and specify to the choir that it belongs to them to take and pursure what follows.
1789 C. Burney Gen. Hist. Music (1957) iii. iii. 528 Divisions were certainly first practised in the church..where the Perielesis and the Neuma have long been admitted, and where their use is still allowed.
1880 W. S. Rockstro in G. Grove Dict. Music II. 691 Like the Cadenza in modern music, the Perielesis generally makes its appearance in connection with the penultimate or antepenultimate syllable of a final phrase.
This entry has been updated (OED Third Edition, December 2005; most recently modified version published online March 2020).
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n.?1775
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