Kōrinn.²

/ˈkɔːrɪn/

Etymology: < the name of Ogata Kōrin (1658–1716), Japanese artist.

Used attributively in Kōrin school, Kōrin style, to denote a school of Japanese painting, founded in the Edo period and associated chiefly with Kyoto, of which Kōrin was the greatest exponent.

ΘΚΠ

society > leisure > the arts > visual arts > period, movement, or school of art > non-European periods or movements > [adjective] > Japanese

Tosa1879

Shijō1884

Kōrin school1898

Kamakura1902

Maruyamaa1908

Nanga1949

Yamato1970

1884 E. M. Satow & A. G. S. Hawes Handbk. Travellers Central & Northern Japan (ed. 2) 96 The only new school that appeared in the seventeenth century was that of Kōrin, a famous lacquer painter, who appears to have been originally a pupil of the Tosa school.]

1898 M. Tomkinson Japanese Collection II. 113 The Kōrin style was a late offshoot of the Yamato-Tosa school..stamped by a bold flowing line and vigorous composition, and usually by a supreme contempt for naturalistic rules.

a1908 E. F. Fenollosa Epochs Chinese & Japanese Art (1912) II. xiv. 129 We can call the chief masters of this Korin school the greatest painters of tree and flower forms that the world has ever seen.

1909 L. Binyon Japanese Art v. 34 Here we have the first attempts at a fusion of the two styles, Chinese and Japanese, which reached its final development in the Korin school.

1970 Oxf. Compan. Art 632/2 The Kōrin style represented a reversion to classical Japanese tradition.

This entry has not yet been fully updated (first published 1976; most recently modified version published online September 2020).

单词	kōrin
释义	Kōrinn.² /ˈkɔːrɪn/ Etymology: < the name of Ogata Kōrin (1658–1716), Japanese artist. Used attributively in Kōrin school, Kōrin style, to denote a school of Japanese painting, founded in the Edo period and associated chiefly with Kyoto, of which Kōrin was the greatest exponent. ΘΚΠ society > leisure > the arts > visual arts > period, movement, or school of art > non-European periods or movements > [adjective] > Japanese Tosa1879 Shijō1884 Kōrin school1898 Kamakura1902 Maruyamaa1908 Nanga1949 Yamato1970 1884 E. M. Satow & A. G. S. Hawes Handbk. Travellers Central & Northern Japan (ed. 2) 96 The only new school that appeared in the seventeenth century was that of Kōrin, a famous lacquer painter, who appears to have been originally a pupil of the Tosa school.] 1898 M. Tomkinson Japanese Collection II. 113 The Kōrin style was a late offshoot of the Yamato-Tosa school..stamped by a bold flowing line and vigorous composition, and usually by a supreme contempt for naturalistic rules. a1908 E. F. Fenollosa Epochs Chinese & Japanese Art (1912) II. xiv. 129 We can call the chief masters of this Korin school the greatest painters of tree and flower forms that the world has ever seen. 1909 L. Binyon Japanese Art v. 34 Here we have the first attempts at a fusion of the two styles, Chinese and Japanese, which reached its final development in the Korin school. 1970 Oxf. Compan. Art 632/2 The Kōrin style represented a reversion to classical Japanese tradition. This entry has not yet been fully updated (first published 1976; most recently modified version published online September 2020). < n.²1898
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Kōrinn.2

Kōrinn.²