单词 | jump cut |
释义 | > as lemmasjump cut jump cut n. Brit. /ˈdʒʌmp kʌt/ , U.S. /ˈdʒəmp ˌkət/ Cinematography and Television (see quot. 1953); also transferred, attributive and as v. transitive and intransitive.ΘΚΠ society > communication > broadcasting > television > production of television broadcast > [noun] > devices fade-out1918 lap-dissolve1927 wipe1933 jump cut1953 optical1953 society > communication > broadcasting > television > production of television broadcast > produce television broadcast [verb (intransitive)] > devices wipe1951 jump cut1953 society > leisure > the arts > performance arts > cinematography > filming > special effect > [noun] > cut cutting1921 quick cut1932 cut1933 cutaway1951 jump cut1953 match cut1961 society > leisure > the arts > performance arts > cinematography > filming > special effect > special effects [verb (intransitive)] > cut to cut back1913 jump cut1953 1953 K. Reisz Technique Film Editing 280 Jump cut, cut which breaks continuity of time by jumping forward from one part of an action to another obviously separated from the first by an interval of time. 1962 Listener 9 Aug. 223/1 The eye-jerking, ear-jarring jump cuts which result when the commercials are removed from imported American programmes. 1962 Punch 19 Sept. 428/1 Harsh jump-cuts that might almost be breaks in the film. 1964 Observer 12 July 25/5 A jump-cut speeded-up sequence mostly shot from a helicopter. 1965 Time 18 June 80 He recklessly jump-cuts from scene to scene, using gimmicky transitions. 1966 Punch 6 July 26/2 The restless, jump-cutting style is sometimes disconcerting—one takes a second or two to realise that an expected bridging passage has been waived. 1968 P. Dickinson Skin Deep vii. 130 The soft lines of the black visage jump-cut into wary maturity. 1972 Times Lit. Suppl. 9 June 649/4 A series of frenzied incidents..a matter of jump-cuts and unfinished sentences suggestive of a painful collaboration between Ken Kesey and Ford Madox Ford. 1974 Times Lit. Suppl. 14 June 629/4 The reader adjusts soon enough to the breakneck jump-cuts of the first few pages. 1975 New Yorker 20 Jan. 79/1 Once Trintignant takes over as the filmmaker, the movie loses its playful movie-within-a-movie spirit, and the technique, which had been a sprinting, jump-cutting shorthand that didn't take itself too seriously, turns glassy smooth. < as lemmas |
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