in nominen.

Brit.

/ɪn ˈnɒmᵻneɪ/,

/ɪn ˈnɒmᵻni/, U.S.

/ˌɪn ˈnɑməˌneɪ/,

/ˌɪn ˈnɑməni/

Origin: A borrowing from Latin. Etymon: Latin in nomine.

Etymology: < post-classical Latin in nomine, shortened < in nomine Domini , as the title of the setting of these words in the Benedictus of John Taverner's Missa Gloria Tibi Trinitas < classical Latin in in prep. + nōmine , ablative of nōmen name (see name n.).Taverner's mass was based on an antiphon sung at first Vespers on Trinity Sunday in the Sarum rite.

Music. Now chiefly historical.

A piece of polyphonic music, typically composed in an imitative style, which incorporates and reworks melodic material, in particular the chant Gloria tibi trinitas in long note-values, from the passage setting the words ‘in nomine Domini’ in the Benedictus of John Taverner's Missa Gloria Tibi Trinitas.Taverner's Mass setting was composed in the early 16th cent., and its setting of the words ‘in nomine domini’ from the Benedictus gave rise to a number of arrangements, both vocal and instrumental, and also to many new compositions using the same chant. Most of them were for instrumental ensemble or for keyboard instruments, although a few incorporated vocal parts. (A very small number of works called ‘In nomine’, however, were not based on this chant.) The genre flourished in the late 16th and early 17th cent., and was revived by a few composers in the 20th cent.Used chiefly in England of English works.

ΘΚΠ

society > leisure > the arts > music > piece of music > type of piece > piece in specific form > [noun] > fugue > type of

in nomine1565

ricercatac1715

ricercare1773

fugato1876

fughetta1876

triple fugue1876

double fugue1880

tiento1905

mirror fugue1931

clausula1944

1565 Bassus in Mornyng & Euenyng Prayer set forthe in Foure Partes sig. T.i (heading) In nomine of master Tauerners.

1599 ‘T. Cutwode’ Caltha Poetarum Pref. sig. A 7 There is a secret..which makes this young god, be to all men the plain song to their descant of their In Nomines.

1636 C. Butler Princ. Musik i. iv. 91 Dhe excellent Musik of dhe In-nomine's of Parsons, Taverner, D. Ty, &c.

1694 E. Phillips tr. J. Milton Lett. of State p. v He [sc. John Milton senior] Composed an In Nomine of Forty Parts: for which he was rewarded with a Gold Medal and Chain by a Polish Prince.

1789 C. Burney Gen. Hist. Music III. i. 109 An In Nomine, of five parts, I have scored from the Christ Church set of manuscript books in Dr. Aldrich's collection.

1843 E. F. Rimbault in O. Gibbons Fantasies in Three Parts Introd. 6 The passion for the In Nomine gave way upon the introduction of the Fantasie, which..gave greater scope to the genius and fancy of the composer.

1876 J. Stainer & W. A. Barrett Dict. Musical Terms 240/2 The in nomines which exist are chiefly the production of composers of the 16th century.

1954 G. Reese Music in Renaissance 833 The Gibbons composition uses the Gloria tibi Trinitas melody as a cantus firmus, making the piece a vocal in nomine.

2002 H. Reiners tr. A. Otterstedt Viol II. 118 Henry Purcell was the last to write an in nomine.

This entry has been updated (OED Third Edition, September 2021; most recently modified version published online March 2022).

单词	in nomine
释义	in nominen. Brit. /ɪn ˈnɒmᵻneɪ/, /ɪn ˈnɒmᵻni/, U.S. /ˌɪn ˈnɑməˌneɪ/, /ˌɪn ˈnɑməni/ Origin: A borrowing from Latin. Etymon: Latin in nomine. Etymology: < post-classical Latin in nomine, shortened < in nomine Domini , as the title of the setting of these words in the Benedictus of John Taverner's Missa Gloria Tibi Trinitas < classical Latin in in prep. + nōmine , ablative of nōmen name (see name n.).Taverner's mass was based on an antiphon sung at first Vespers on Trinity Sunday in the Sarum rite. Music. Now chiefly historical. A piece of polyphonic music, typically composed in an imitative style, which incorporates and reworks melodic material, in particular the chant Gloria tibi trinitas in long note-values, from the passage setting the words ‘in nomine Domini’ in the Benedictus of John Taverner's Missa Gloria Tibi Trinitas.Taverner's Mass setting was composed in the early 16th cent., and its setting of the words ‘in nomine domini’ from the Benedictus gave rise to a number of arrangements, both vocal and instrumental, and also to many new compositions using the same chant. Most of them were for instrumental ensemble or for keyboard instruments, although a few incorporated vocal parts. (A very small number of works called ‘In nomine’, however, were not based on this chant.) The genre flourished in the late 16th and early 17th cent., and was revived by a few composers in the 20th cent.Used chiefly in England of English works. ΘΚΠ society > leisure > the arts > music > piece of music > type of piece > piece in specific form > [noun] > fugue > type of in nomine1565 ricercatac1715 ricercare1773 fugato1876 fughetta1876 triple fugue1876 double fugue1880 tiento1905 mirror fugue1931 clausula1944 1565 Bassus in Mornyng & Euenyng Prayer set forthe in Foure Partes sig. T.i (heading) In nomine of master Tauerners. 1599 ‘T. Cutwode’ Caltha Poetarum Pref. sig. A 7 There is a secret..which makes this young god, be to all men the plain song to their descant of their In Nomines. 1636 C. Butler Princ. Musik i. iv. 91 Dhe excellent Musik of dhe In-nomine's of Parsons, Taverner, D. Ty, &c. 1694 E. Phillips tr. J. Milton Lett. of State p. v He [sc. John Milton senior] Composed an In Nomine of Forty Parts: for which he was rewarded with a Gold Medal and Chain by a Polish Prince. 1789 C. Burney Gen. Hist. Music III. i. 109 An In Nomine, of five parts, I have scored from the Christ Church set of manuscript books in Dr. Aldrich's collection. 1843 E. F. Rimbault in O. Gibbons Fantasies in Three Parts Introd. 6 The passion for the In Nomine gave way upon the introduction of the Fantasie, which..gave greater scope to the genius and fancy of the composer. 1876 J. Stainer & W. A. Barrett Dict. Musical Terms 240/2 The in nomines which exist are chiefly the production of composers of the 16th century. 1954 G. Reese Music in Renaissance 833 The Gibbons composition uses the Gloria tibi Trinitas melody as a cantus firmus, making the piece a vocal in nomine. 2002 H. Reiners tr. A. Otterstedt Viol II. 118 Henry Purcell was the last to write an in nomine. This entry has been updated (OED Third Edition, September 2021; most recently modified version published online March 2022). < n.1565
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