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Simultaneism|sɪməlˈteɪnɪɪz(ə)m, -ˈeɪnɪz(ə)m|
Also ‖ Simultanéisme, Simultanism.
[ad. F. Simultanéisme.]
1. A name given to Orphism 2, because of its use of the principle of simultaneous contrast (simultaneous a. 1 b) (see also quot. 1959).
1915[see Orphism 2]. 1940R. H. Wilenski Mod. French Painters 238 Delaunay produced a series of Flat⁓pattern pictures with brightly coloured fragments of revolving discs—a type of Futurist-Dynamism which he called Simultanéisme and which Apollinaire christened ‘Orphism’. 1959H. Read Conc. Hist. Mod. Painting iii. 94 [Delaunay] strove in particular to combine different aspects of figures and objects in the same painting. He himself gave the name of Simultanéisme to this kind of painting and was later to characterize it in these words: ‘Nothing horizontal or vertical—light deforms everything, breaks everything up.’ 1969R. Mayer Dict. Art Terms & Techniques 273/1 The chief exponent of the style [sc. Orphism], Robert Delaunay (1885–1941), preferred the name Simultaneism.
2. A movement in modern French poetry, led by Henri-Martin Barzun (b. 1881), which aimed at the effect of simultaneity of both images and sounds.
1959Oxf. Compan. French Lit. 676/2 Simultanéisme, one of the more ephemeral movements in modern poetry, an exaggerated mixture of Cubisme and Unanimisme. 1964Listener 27 Aug. 315/3 Simultanism..has so far defeated its exponents..because we are not willing to appraise words other than intellectually, which means in logical succession. 1970C. Campos in J. Cruickshank French Lit. & its Background xi. 153 ‘Simultanéisme’ was to be more influential as a technique for gathering impressions about reality than as a means of expressing a broader experience.
Hence simulˈtaneist, a practitioner of Simultaneism; also as adj., in the manner of Simultaneism. Also ‖ simultanéiste, simultanist adjs.
1923J. Gordon Mod. French Painters viii. 87 It is safer to throw most recent ‘isms’ out of the window... The..crop of Orphists, Futurists, Synchromists, Purists, Simultaneists, Dada-ists and so on, are as a rule irritating adjectives with no real meaning. 1930Times Educ. Suppl. 3 May 197/2 A short introductory chapter on ‘French Poetry after 1870’ briefly describes the schools or coteries of the last few decades—the symbolists,..simultaneists, cubists, unanimists, and so forth. 1959Oxf. Compan. French Lit. 219/2 His [sc. Divoire's] collections of simultanéiste verse include: La Malediction des enfants (1910). 1975T. Stoppard Travesties i. 59 Herr Tristan Tzara was the initiator of a performance..of simultanist verse. |