“They defined those few chords with intricately interlocking parts, bearing down on them to turn repetition into a frenetic rave-up.”

With a couple of noisy exceptions – the tribal rave-up “Mosquito” and the spiky “Area 52” – the album isn’t aiming for cheap thrills.

This is something more cravenly commercial, and probably more enjoyable: another synth-bashing pop rave-up.