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单词 dominant seventh
释义

Definition of dominant seventh in English:

dominant seventh

noun
Music
  • The common chord of the dominant note in a key, plus the diminished seventh from that note (e.g. in the key of C, a chord of G-B-D-F). It is important in conventional harmony, as it naturally resolves to the tonic or subdominant.

    Example sentencesExamples
    • One piece includes blues-like flatted thirds written as D-sharps and a few later pieces involve E-flat and B-flat accidentals that suggest dominant seventh harmony.
    • The noble falling fourths, echoed by the piano, re-establish the tonic key unambiguously, the bass triads wavering between tonic D majors and first inversions of the dominant seventh.
    • This is an odd turn of events, since it wasn't all that long ago that the phrase ‘musical meaning’ either referred to formal properties - is this chord a dominant seventh or a German sixth, and how do we know?
    • When one reduces the musical texture to its harmonic frame, four dominant seventh chords remain, of which only the last one is resolved in G minor.
    • The progression is based around mostly minor chords, and anything major is followed by a dominant seventh.
 
 

Definition of dominant seventh in US English:

dominant seventh

noun
Music
  • The common chord of the dominant note in a key, plus the minor seventh from that note (e.g., in the key of C, a chord of G-B-D-F). It is important in conventional harmony, as it naturally resolves to the tonic or subdominant.

    Example sentencesExamples
    • The noble falling fourths, echoed by the piano, re-establish the tonic key unambiguously, the bass triads wavering between tonic D majors and first inversions of the dominant seventh.
    • The progression is based around mostly minor chords, and anything major is followed by a dominant seventh.
    • When one reduces the musical texture to its harmonic frame, four dominant seventh chords remain, of which only the last one is resolved in G minor.
    • One piece includes blues-like flatted thirds written as D-sharps and a few later pieces involve E-flat and B-flat accidentals that suggest dominant seventh harmony.
    • This is an odd turn of events, since it wasn't all that long ago that the phrase ‘musical meaning’ either referred to formal properties - is this chord a dominant seventh or a German sixth, and how do we know?
 
 
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更新时间:2024/12/23 3:50:02