drypoint

dry·point

D5418800 (drī′point′)n.1. A technique of intaglio engraving in which a hard steel needle is used to incise lines in a metal, usually copper plate, with the rough burr at the sides of the incised lines often retained to produce a velvety black tone in the print.2. An engraving or print made using this technique.

drypoint

(ˈdraɪˌpɔɪnt) n1. (Metallurgy) a technique of intaglio engraving with a hard steel needle, without acid, on a copper plate2. (Metallurgy) the sharp steel needle used in this process3. (Art Terms) an engraving or print produced by this method

dry•point

(ˈdraɪˌpɔɪnt)

n. 1. a technique of engraving, esp. on copper, in which a sharp-pointed needle is used to scratch through a thin etching ground. 2. a print made by this technique. [1825–35]

drypoint

An engraving technique dating from the fifteenth century. The design is scratched directly onto a copper plate with a sharp tool held like a pen, often producing a “burred” edge, giving a soft, rich texture, but this only survives for small editions.

Translations

radieren

drypoint

drypoint,

an intagliointaglio
, design cut into stone or other material or etched or engraved in a metal plate, producing a concave, instead of a convex, effect. It is the reverse of a relief or cameo. The term also designates a gem so cut.
..... Click the link for more information. printing process in which the lines are scratched directly into a metal plate with a needle; also, the print made from such a plate. Although it is often used in combination with etchingetching,
the art of engraving with acid on metal; also the print taken from the metal plate so engraved. In hard-ground etching the plate, usually of copper or zinc, is given a thin coating or ground of acid-resistant resin.
..... Click the link for more information. , no acid is used for the drypoint. It differs from engravingengraving,
in its broadest sense, the art of cutting lines in metal, wood, or other material either for decoration or for reproduction through printing. In its narrowest sense, it is an intaglio printing process in which the lines are cut in a metal plate with a graver, or burin.
..... Click the link for more information. in the type of tool employed and the consequent shallowness of the line. In drypoint the burr raised by the needle is usually left on the plate, producing a rich, velvety effect. It is characteristically a sketchy medium suitable for improvisation, but it can also be used to render fine detail. Unless the plate is steel faced, the burr deteriorates rapidly, allowing relatively few good prints to be pulled. Dürer, Rembrandt, Whistler, and Picasso are considered the greatest masters of the technique.

Drypoint

a method of intaglio engraving in which lines are scratched into metal with a pointed tool, or needle. The lines have a distinctive velvety texture owing to the burrs left behind by the needle; hence, works executed in drypoint somewhat resemble drawings. Drypoint is often used together with etching.

Drypoint has been known since the late 15th century; it became popular as a separate technique in the 19th century. A. Dürer, Rembrandt, F. Rops, and J. M. Whistler worked in drypoint. A number of Soviet artists have used the technique, including G. S. Vereiskii and D. I. Mitrokhin.

单词	drypoint
释义	drypoint dry·point D5418800 (drī′point′)n.1. A technique of intaglio engraving in which a hard steel needle is used to incise lines in a metal, usually copper plate, with the rough burr at the sides of the incised lines often retained to produce a velvety black tone in the print.2. An engraving or print made using this technique. drypoint (ˈdraɪˌpɔɪnt) n1. (Metallurgy) a technique of intaglio engraving with a hard steel needle, without acid, on a copper plate2. (Metallurgy) the sharp steel needle used in this process3. (Art Terms) an engraving or print produced by this method dry•point (ˈdraɪˌpɔɪnt) n. 1. a technique of engraving, esp. on copper, in which a sharp-pointed needle is used to scratch through a thin etching ground. 2. a print made by this technique. [1825–35] drypoint An engraving technique dating from the fifteenth century. The design is scratched directly onto a copper plate with a sharp tool held like a pen, often producing a “burred” edge, giving a soft, rich texture, but this only survives for small editions. Translations radieren drypoint drypoint, an intagliointaglio , design cut into stone or other material or etched or engraved in a metal plate, producing a concave, instead of a convex, effect. It is the reverse of a relief or cameo. The term also designates a gem so cut. ..... Click the link for more information. printing process in which the lines are scratched directly into a metal plate with a needle; also, the print made from such a plate. Although it is often used in combination with etchingetching, the art of engraving with acid on metal; also the print taken from the metal plate so engraved. In hard-ground etching the plate, usually of copper or zinc, is given a thin coating or ground of acid-resistant resin. ..... Click the link for more information. , no acid is used for the drypoint. It differs from engravingengraving, in its broadest sense, the art of cutting lines in metal, wood, or other material either for decoration or for reproduction through printing. In its narrowest sense, it is an intaglio printing process in which the lines are cut in a metal plate with a graver, or burin. ..... Click the link for more information. in the type of tool employed and the consequent shallowness of the line. In drypoint the burr raised by the needle is usually left on the plate, producing a rich, velvety effect. It is characteristically a sketchy medium suitable for improvisation, but it can also be used to render fine detail. Unless the plate is steel faced, the burr deteriorates rapidly, allowing relatively few good prints to be pulled. Dürer, Rembrandt, Whistler, and Picasso are considered the greatest masters of the technique. Drypoint a method of intaglio engraving in which lines are scratched into metal with a pointed tool, or needle. The lines have a distinctive velvety texture owing to the burrs left behind by the needle; hence, works executed in drypoint somewhat resemble drawings. Drypoint is often used together with etching. Drypoint has been known since the late 15th century; it became popular as a separate technique in the 19th century. A. Dürer, Rembrandt, F. Rops, and J. M. Whistler worked in drypoint. A number of Soviet artists have used the technique, including G. S. Vereiskii and D. I. Mitrokhin.
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