Drew, Robert Lincoln

Drew, Robert Lincoln,

1924–2014, American documentary filmmaker, b. Toledo, Ohio. After serving in the U.S. Army Air Forces during World War II, he worked for Life as a writer and editor. On a Neiman fellowship (1954) from Harvard, he spent a year experimenting with documentary filmmaking, working to develop a dramatic visual narrative that made him a pioneer of cinéma véritécinéma vérité,
a style of filmmaking that attempts to convey candid realism. Often employing lightweight, hand-held cameras and sound equipment, it shows people in everyday situations and uses authentic dialogue, naturalness of action, and a minimum of
..... Click the link for more information. . He formed Drew Associates (1960) to produce documentaries, and with Time, Inc., he developed lightweight cameras and recorders to follow his subjects around, giving the viewer a sense of being there while events took place. Some of his best known documentaries are Primary (1960), about the 1960 Wisconsin presidential contest between John F. Kennedy and Hubert Humphrey; The Chair (1962), an exposé about the death penalty; Crisis (1963), which follows the desegregation of the Univ. of Alabama; and Man Who Dances (1969), about New York City Ballet dancer Edward Villella.

单词	drew, robert lincoln
释义	Drew, Robert Lincoln Drew, Robert Lincoln, 1924–2014, American documentary filmmaker, b. Toledo, Ohio. After serving in the U.S. Army Air Forces during World War II, he worked for Life as a writer and editor. On a Neiman fellowship (1954) from Harvard, he spent a year experimenting with documentary filmmaking, working to develop a dramatic visual narrative that made him a pioneer of cinéma véritécinéma vérité, a style of filmmaking that attempts to convey candid realism. Often employing lightweight, hand-held cameras and sound equipment, it shows people in everyday situations and uses authentic dialogue, naturalness of action, and a minimum of ..... Click the link for more information. . He formed Drew Associates (1960) to produce documentaries, and with Time, Inc., he developed lightweight cameras and recorders to follow his subjects around, giving the viewer a sense of being there while events took place. Some of his best known documentaries are Primary (1960), about the 1960 Wisconsin presidential contest between John F. Kennedy and Hubert Humphrey; The Chair (1962), an exposé about the death penalty; Crisis (1963), which follows the desegregation of the Univ. of Alabama; and Man Who Dances (1969), about New York City Ballet dancer Edward Villella.
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