scordatura

scor·da·tu·ra

S5164450 (skôr′də-to͝or′ə)n. An alternate way of tuning a stringed instrument that varies from standard tuning.

[Italian, from scordato, out of tune, from past participle of scordare, to put out of tune : s-, privative prefix (from Latin ex-; see ex-) + (ac)cordare, to bring into agreement, tune (an instrument) (from Medieval Latin accordāre, to bring into agreement ; see accord, the musical sense in Italian perhaps being influenced by Italian corda, cord, string of a musical instrument, and its source, Latin chorda).]

scordatura

(ˌskɔːdəˈtʊərə) n (Classical Music) music a departure from normal tuning in a piece of music

Scordatura

a temporary change in the usual tuning of stringed musical instruments. The scordatura makes it easier to play certain kinds of chords and intervals, changes the range of the instrument, and alters the timbre and strength of the instrument’s sound. It rarely exceeds one and one-half tones, that is, a minor third.

The scordatura was widely used in solo violin music of the 17th and 18th centuries, for example, in works by H. von Biber and G. Tartini. It was also used for individual instruments in orchestral works by R. Wagner, N. A. Rimsky-Korsakov, C. Saint-Saëns, G. Mahler, and other composers. The scordatura was also used in guitar pieces, for example, works by M. de Falla and J. Turina, and sometimes in solo violin pieces, for example, the Vardar Rhapsody for violin and piano by P. Vladigerov.

单词	scordatura
释义	scordatura scor·da·tu·ra S5164450 (skôr′də-to͝or′ə)n. An alternate way of tuning a stringed instrument that varies from standard tuning. [Italian, from scordato, out of tune, from past participle of scordare, to put out of tune : s-, privative prefix (from Latin ex-; see ex-) + (ac)cordare, to bring into agreement, tune (an instrument) (from Medieval Latin accordāre, to bring into agreement ; see accord, the musical sense in Italian perhaps being influenced by Italian corda, cord, string of a musical instrument, and its source, Latin chorda).] scordatura (ˌskɔːdəˈtʊərə) n (Classical Music) music a departure from normal tuning in a piece of music Scordatura Scordatura a temporary change in the usual tuning of stringed musical instruments. The scordatura makes it easier to play certain kinds of chords and intervals, changes the range of the instrument, and alters the timbre and strength of the instrument’s sound. It rarely exceeds one and one-half tones, that is, a minor third. The scordatura was widely used in solo violin music of the 17th and 18th centuries, for example, in works by H. von Biber and G. Tartini. It was also used for individual instruments in orchestral works by R. Wagner, N. A. Rimsky-Korsakov, C. Saint-Saëns, G. Mahler, and other composers. The scordatura was also used in guitar pieces, for example, works by M. de Falla and J. Turina, and sometimes in solo violin pieces, for example, the Vardar Rhapsody for violin and piano by P. Vladigerov.
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