seguidilla

enUK

se·gui·dil·la

S0218900 (sĕg′ə-dē′yə, -dēl′yə, sā′gə-, sĕ′gē-thē′lyä)n.1. A Spanish stanza form of four or seven lines.2. a. A lively Spanish dance in triple meter.b. The music for this dance.

[Spanish, diminutive of seguida, sequence, from feminine past participle of seguir, to follow, from Vulgar Latin *sequere, from Latin sequī; see sek^w- in Indo-European roots.]

seguidilla

(ˌsɛɡɪˈdiːljə) n1. (Dancing) a Spanish dance in a fast triple rhythm2. (Music, other) a piece of music composed for or in the rhythm of this dance3. (Poetry) prosody a stanzaic form consisting of four to seven lines and marked by a characteristic rhythm[Spanish: a little dance, from seguida a dance, from seguir to follow, from Latin sequī]

se•gui•dil•la

(ˌseɪ gəˈdil yə, -ˈdi yə, ˌsɛg ə-; Sp. ˌsɛ giˈði lyɑ)

n., pl. -dil•las (-ˈdil yəz, -ˈdi yəz; Sp. -ˈði lyɑs) 1. a Spanish dance in triple meter for two persons. 2. the music for this dance. 3. a stanza of four to seven lines of verse with a distinctive rhythmic pattern. [1755–65; < Sp, =seguid(a) sequence (segui- (s. of seguir « Latin sequī to follow) + -da < Latin -ta feminine past participle suffix) + -illa diminutive suffix]

Seguidilla

(1) A stanza in Spanish poetry that has been known since the 13th century. The simple seguidilla is a four-line stanza whose first and third lines have seven syllables; the second and fourth lines have five syllables and are rhyming. The addition of three further lines of five, seven, and five syllables, respectively, with the two five-syllable lines making a new rhyme, results in the complex seguidilla.

(2) A paired Spanish folk dance, originating in Castile in the 15th or 16th century. It has a lively tempo and is in 3/4 time. The dance is accompanied by the singing of simple or complex seguidilla stanzas with a mainly lyric content and by guitar and castanets. The seguidilla has regional variations, of which the most important are those of Murcia and Seville, the latter known as the sevillana. The seguidilla has been utilized in concert music; examples are Glinka’s overture Night in Madrid and de Falla’s cycle of songs Seven Spanish Folk Songs.

单词	seguidilla
释义	seguidilla enUK se·gui·dil·la S0218900 (sĕg′ə-dē′yə, -dēl′yə, sā′gə-, sĕ′gē-thē′lyä)n.1. A Spanish stanza form of four or seven lines.2. a. A lively Spanish dance in triple meter.b. The music for this dance. [Spanish, diminutive of seguida, sequence, from feminine past participle of seguir, to follow, from Vulgar Latin sequere, from Latin sequī; see sek^w- in Indo-European roots.] seguidilla (ˌsɛɡɪˈdiːljə) n1. (Dancing) a Spanish dance in a fast triple rhythm2. (Music, other) a piece of music composed for or in the rhythm of this dance3. (Poetry) prosody* a stanzaic form consisting of four to seven lines and marked by a characteristic rhythm[Spanish: a little dance, from seguida a dance, from seguir to follow, from Latin sequī] se•gui•dil•la (ˌseɪ gəˈdil yə, -ˈdi yə, ˌsɛg ə-; Sp. ˌsɛ giˈði lyɑ) n., pl. -dil•las (-ˈdil yəz, -ˈdi yəz; Sp. -ˈði lyɑs) 1. a Spanish dance in triple meter for two persons. 2. the music for this dance. 3. a stanza of four to seven lines of verse with a distinctive rhythmic pattern. [1755–65; < Sp, =seguid(a) sequence (segui- (s. of seguir « Latin sequī to follow) + -da < Latin -ta feminine past participle suffix) + -illa diminutive suffix] Seguidilla enUK Seguidilla (1) A stanza in Spanish poetry that has been known since the 13th century. The simple seguidilla is a four-line stanza whose first and third lines have seven syllables; the second and fourth lines have five syllables and are rhyming. The addition of three further lines of five, seven, and five syllables, respectively, with the two five-syllable lines making a new rhyme, results in the complex seguidilla. (2) A paired Spanish folk dance, originating in Castile in the 15th or 16th century. It has a lively tempo and is in 3/4 time. The dance is accompanied by the singing of simple or complex seguidilla stanzas with a mainly lyric content and by guitar and castanets. The seguidilla has regional variations, of which the most important are those of Murcia and Seville, the latter known as the sevillana. The seguidilla has been utilized in concert music; examples are Glinka’s overture Night in Madrid and de Falla’s cycle of songs Seven Spanish Folk Songs.
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