Macdonald, Dwight

Macdonald, Dwight,

1906–82, American author and editor, b. New York City. As an associate editor (1928–36) of the business magazine Fortune he acquired a distaste for capitalism, and in 1937 he became editor of the radical Partisan Review. In the left-wing factionalism of the 1930s and 40s, Macdonald moved from Stalinism to Trotskyism and then to pacifism and to anarchism. In 1943 he left Partisan Review, protesting its support of World War II. As a vehicle for his wry and intensely personal essays he founded Politics (monthly 1944–47; quarterly 1947–49). His works include Henry Wallace (1948), The Root Is Man (1953), and The Ford Foundation (1956). His Memoirs of a Revolutionist (1957) traces his philosophy through his articles. Against the American Grain (1962) comprises his essays deploring the effects of mass culture on the arts, a subject that dominated his later articles. Other collections of his essays and reviews include Dwight Macdonald on Movies (1969), Politics Past (1970), and Discriminations (1974).

Bibliography

See M. Wreszin, ed., A Moral Temper: The Letters of Dwight Macdonald (2001); S. Whitfield, A Critical American (1984); M. Wreszin, A Rebel in Defense of Tradition (1994).

Macdonald, Dwight

(1906–82) essayist, critic; born in New York City. Entering journalism after graduating from Yale, he eventually became a staff writer for the New Yorker (1951–71). His essays and political, social, and literary criticism, renowned for their ironic wit, were collected in several volumes including The Memoirs of a Revolutionist (1957) and Against the American Grain (1962). A lifelong left-wing activist, he often publicly debated political issues; he lectured widely, for example, against the Vietnam War.

单词	macdonald, dwight
释义	Macdonald, Dwight Macdonald, Dwight, 1906–82, American author and editor, b. New York City. As an associate editor (1928–36) of the business magazine Fortune he acquired a distaste for capitalism, and in 1937 he became editor of the radical Partisan Review. In the left-wing factionalism of the 1930s and 40s, Macdonald moved from Stalinism to Trotskyism and then to pacifism and to anarchism. In 1943 he left Partisan Review, protesting its support of World War II. As a vehicle for his wry and intensely personal essays he founded Politics (monthly 1944–47; quarterly 1947–49). His works include Henry Wallace (1948), The Root Is Man (1953), and The Ford Foundation (1956). His Memoirs of a Revolutionist (1957) traces his philosophy through his articles. Against the American Grain (1962) comprises his essays deploring the effects of mass culture on the arts, a subject that dominated his later articles. Other collections of his essays and reviews include Dwight Macdonald on Movies (1969), Politics Past (1970), and Discriminations (1974). Bibliography See M. Wreszin, ed., A Moral Temper: The Letters of Dwight Macdonald (2001); S. Whitfield, A Critical American (1984); M. Wreszin, A Rebel in Defense of Tradition (1994). Macdonald, Dwight (1906–82) essayist, critic; born in New York City. Entering journalism after graduating from Yale, he eventually became a staff writer for the New Yorker (1951–71). His essays and political, social, and literary criticism, renowned for their ironic wit, were collected in several volumes including The Memoirs of a Revolutionist (1957) and Against the American Grain (1962). A lifelong left-wing activist, he often publicly debated political issues; he lectured widely, for example, against the Vietnam War.
随便看	make their bed up make their blood boil make their blood curdle make their blood run cold make their bones make their bow make their day make their ears burn make their flesh crawl make their flesh creep make their fortune make their fortunes make their gorge rise make their hackles rise make their hair curl make their hair stand on end make their hair stand up on the back of their neck make their hair stand up on the back of their necks make their head spin make their head swim make their jaws drop make their life a misery make their mark make their marks make their minds up