Marino, Giambattista

(jäm'bät-tē`stä märē`nō), 1569–1625, Italian poet. His florid, highly elaborated style, called Marinismo, which was akin to euphuism, was much admired and imitated in his time. He had a strong influence on writing in all European literature. Among his principal works is Adone (1623), a long narrative poem. His name sometimes appears as Marini.

Bibliography

See study by J. V. Mirollo (1963).

Marino, Giambattista

Born Oct. 18, 1569, in Naples; died there Mar. 25, 1625. Italian poet.

Marino gave his name to a trend in baroque poetry, marinismo, which was prevalent in 17th-century Italian literature. His attitude was one of hedonism combined with a belief in the transitory nature of everything and in the disharmony of the universe. He was a skillful poet, although he fell back upon mannered images, complicated metaphors, and forced antitheses and comparisons. His most important work is Adonis (Paris, 1623; Russian translation, 1783), a narrative poem in 20 cantos, written in octaves. His fame was short-lived.

WORKS

Poesia e prosa. Milan, 1930.
In Russian translation:
Khrestomatiia po zapadno-evropeiskoi literature XVII v., 2nd ed. Compiled by B. I. Purishev. Moscow, 1949.

REFERENCES

Artamanov, S. D., and R. M. Samarin. Istoriia zarubezhnoi literatury XVII v. Moscow, 1958.
De Sanctis, F. Istoriia ital’ianskoi literatury, vol. 2. Moscow, 1964.
Flora, F. Storia della letteratura italiana, vol. 3. Milan, 1940.

单词	marino, giambattista
释义	DictionarySeeGiambattista Marino Marino, Giambattista Marino, Giambattista (jäm'bät-tē`stä märē`nō), 1569–1625, Italian poet. His florid, highly elaborated style, called Marinismo, which was akin to euphuism, was much admired and imitated in his time. He had a strong influence on writing in all European literature. Among his principal works is Adone (1623), a long narrative poem. His name sometimes appears as Marini. Bibliography See study by J. V. Mirollo (1963). Marino, Giambattista Born Oct. 18, 1569, in Naples; died there Mar. 25, 1625. Italian poet. Marino gave his name to a trend in baroque poetry, marinismo, which was prevalent in 17th-century Italian literature. His attitude was one of hedonism combined with a belief in the transitory nature of everything and in the disharmony of the universe. He was a skillful poet, although he fell back upon mannered images, complicated metaphors, and forced antitheses and comparisons. His most important work is Adonis (Paris, 1623; Russian translation, 1783), a narrative poem in 20 cantos, written in octaves. His fame was short-lived. WORKS Poesia e prosa. Milan, 1930. In Russian translation: Khrestomatiia po zapadno-evropeiskoi literature XVII v., 2nd ed. Compiled by B. I. Purishev. Moscow, 1949. REFERENCES Artamanov, S. D., and R. M. Samarin. Istoriia zarubezhnoi literatury XVII v. Moscow, 1958. De Sanctis, F. Istoriia ital’ianskoi literatury, vol. 2. Moscow, 1964. Flora, F. Storia della letteratura italiana, vol. 3. Milan, 1940.
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