Judd, Donald Clarence

Judd, Donald Clarence,

1928–94, American artist, b. Excelsior Springs, Mo. His sculpture, allied with the minimalist school of the late 1960s (see minimalismminimalism,
schools of contemporary art and music, with their origins in the 1960s, that have emphasized simplicity and objectivity. Minimalism in the Visual Arts
..... Click the link for more information. ; modern artmodern art,
art created from the 19th cent. to the mid-20th cent. by artists who veered away from the traditional concepts and techniques of painting, sculpture, and other fine arts that had been practiced since the Renaissance (see Renaissance art and architecture).
..... Click the link for more information. ), has the appearance of industrial fabrication. He used rectangular forms fashioned from painted wood, polychrome, or steel in equally spaced, repeated units. The artist eschewed any relationship to the larger world in his works, preferring to leave them untitled. Examples of his work are in the Whitney Museum, New York City, and many other public institutions. In the 1970s, Judd acquired a number of massive buildings and tracts of land in Marfa, Tex., where he established the Chinati Foundation, which exhibits his own works and those of other minimalists, as well as related art.

Bibliography

See his Complete Writings 1959–1975 (1980, repr. 2016) and F. Judd (his son) and C. Murray, ed., Donald Judd Writings (2016); studies by D. Raskin (2010) and M. Stockebrand, ed. (2010).

单词	judd, donald clarence
释义	Judd, Donald Clarence Judd, Donald Clarence, 1928–94, American artist, b. Excelsior Springs, Mo. His sculpture, allied with the minimalist school of the late 1960s (see minimalismminimalism, schools of contemporary art and music, with their origins in the 1960s, that have emphasized simplicity and objectivity. Minimalism in the Visual Arts ..... Click the link for more information. ; modern artmodern art, art created from the 19th cent. to the mid-20th cent. by artists who veered away from the traditional concepts and techniques of painting, sculpture, and other fine arts that had been practiced since the Renaissance (see Renaissance art and architecture). ..... Click the link for more information. ), has the appearance of industrial fabrication. He used rectangular forms fashioned from painted wood, polychrome, or steel in equally spaced, repeated units. The artist eschewed any relationship to the larger world in his works, preferring to leave them untitled. Examples of his work are in the Whitney Museum, New York City, and many other public institutions. In the 1970s, Judd acquired a number of massive buildings and tracts of land in Marfa, Tex., where he established the Chinati Foundation, which exhibits his own works and those of other minimalists, as well as related art. Bibliography See his Complete Writings 1959–1975 (1980, repr. 2016) and F. Judd (his son) and C. Murray, ed., Donald Judd Writings (2016); studies by D. Raskin (2010) and M. Stockebrand, ed. (2010).
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