† cebelln.

Forms: 1700s cebell, 1700s cibel, 1700s cibell, 1700s sebell.

Origin: A borrowing from French. Etymon: French Cybele.

Etymology: < French Cybele (also Cibelle), the name of the goddess Cybele (classical Latin Cybelē, ancient Greek Κυβέλη; originally an Anatolian mother goddess); the specific use arises from the Descente de Cybelle ‘the descent of Cybele’ in the first act of Jean Baptiste Lully's opera Atys (1676) in which there is a chorus with orchestral accompaniment in praise of the goddess Cybele.The name of the goddess is also spelt Cebel and Cibel in English contexts in the 17th and 18th centuries.

Music. Obsolete or Historical.

See quot. 1776.

ΚΠ

1776 J. Hawkins Gen. Hist. Music IV. 392 We meet also among the compositions of the English masters of the violin who lived in the time of Charles II, with an air called the Cebell..it appears to have been an air in duple time of four bars or measures, only repeated in division at the will of the composer..the several strains are alternately in the grave and the acute series of notes in the musical scale.

This entry has not yet been fully updated (first published 1889; most recently modified version published online December 2020).

单词	cebell
释义	† cebelln. Forms: 1700s cebell, 1700s cibel, 1700s cibell, 1700s sebell. Origin: A borrowing from French. Etymon: French Cybele. Etymology: < French Cybele (also Cibelle), the name of the goddess Cybele (classical Latin Cybelē, ancient Greek Κυβέλη; originally an Anatolian mother goddess); the specific use arises from the Descente de Cybelle ‘the descent of Cybele’ in the first act of Jean Baptiste Lully's opera Atys (1676) in which there is a chorus with orchestral accompaniment in praise of the goddess Cybele.The name of the goddess is also spelt Cebel and Cibel in English contexts in the 17th and 18th centuries. Music. Obsolete or Historical. See quot. 1776. ΚΠ 1776 J. Hawkins Gen. Hist. Music IV. 392 We meet also among the compositions of the English masters of the violin who lived in the time of Charles II, with an air called the Cebell..it appears to have been an air in duple time of four bars or measures, only repeated in division at the will of the composer..the several strains are alternately in the grave and the acute series of notes in the musical scale. This entry has not yet been fully updated (first published 1889; most recently modified version published online December 2020). < n.1776
随便看	to make it one's exercise to make it one's practice to make it out to make it proud to make it quaint to make it rain to make it religion to to make it right to make it scrupulous to make it short to make it snappy to make it stick to make it stout to make it strange to make it taut to make it tough to make it up to make it up to to make it warm for to make it warm for a person to make it wise to leave no effects to leave no stone unturned to leave nothing to be desired ) to leave nothing to be to wish (for)