Tristanesqueadj.

/trɪstəˈnɛsk/

Etymology: < the name Tristan, the hero of Wagner's opera Tristan und Isolde (1865), + -esque suffix.

Resembling the music of Tristan und Isolde; spec. characterized by tonal ambiguity and chromaticism.

ΘΚΠ

society > leisure > the arts > music > type of music > vocal music > opera > [adjective] > types of

opera buffa1783

opera bouffe1842

Savoy1882

opera-bouffeish1889

Tristanesque1942

1942 Scrutiny 11 5 Similarly the diatonic system decayed into the deliquescence of feeling and tonal instability which marks the Tristanesque music of the late nineteenth century.

1948 Penguin Music Mag. Oct. 46 The half-Tristanesque, half-impressionist Nocturne.

1957 W. Mellers Man & his Music: Romanticism & 20th Cent. i. ii. 46 (Consider the Tristanesque opening of the second piece). Liszt the romantic lover here recollects in tranquillity.

1962 Times 26 Jan. 16/5 The debt to Wagner was incurred a little later, in the thoroughly Tristanesque love duet towards the end of A Village Romeo and Juliet.

This entry has not yet been fully updated (first published 1986; most recently modified version published online June 2018).

单词	tristanesque
释义	Tristanesqueadj. /trɪstəˈnɛsk/ Etymology: < the name Tristan, the hero of Wagner's opera Tristan und Isolde (1865), + -esque suffix. Resembling the music of Tristan und Isolde; spec. characterized by tonal ambiguity and chromaticism. ΘΚΠ society > leisure > the arts > music > type of music > vocal music > opera > [adjective] > types of opera buffa1783 opera bouffe1842 Savoy1882 opera-bouffeish1889 Tristanesque1942 1942 Scrutiny 11 5 Similarly the diatonic system decayed into the deliquescence of feeling and tonal instability which marks the Tristanesque music of the late nineteenth century. 1948 Penguin Music Mag. Oct. 46 The half-Tristanesque, half-impressionist Nocturne. 1957 W. Mellers Man & his Music: Romanticism & 20th Cent. i. ii. 46 (Consider the Tristanesque opening of the second piece). Liszt the romantic lover here recollects in tranquillity. 1962 Times 26 Jan. 16/5 The debt to Wagner was incurred a little later, in the thoroughly Tristanesque love duet towards the end of A Village Romeo and Juliet. This entry has not yet been fully updated (first published 1986; most recently modified version published online June 2018). < adj.1942
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