triplumn.

/ˈtrɪplʊm/

Forms: Plural tripla.

Etymology: medieval Latin, neuter of triplus triple adj.; compare treble n. 4.

Music.

In thirteenth- and fourteenth-century polyphonic vocal music, the third voice part, next but one above the tenor.

ΘΚΠ

society > leisure > the arts > music > musical sound > harmony or sounds in combination > [noun] > part in harmony or counterpoint > upper parts

treblec1330

quiniblec1390

quatreblea1450

triple1600

triplum1626

superius1653

firsta1774

quintus1883

1626 F. Bacon Sylua Syluarum §109 In one of the lower Strings of a Lute, there soundeth not the Sound of the Treble,..but only the Sound of the Base.

1884 H. C. Deacon in Grove Dict. Music IV. 165 Treble..has been said to be a corruption of Triplum, a third part superadded to the Altus and Bassus.

1944 W. Apel Harvard Dict. Music 223/1 Triplum, quadruplum are other parts above the tenor, frequently of the same range as the duplum.

1954 New Oxf. Hist. Music II. xi. 354 The motet ‘Salve virgo virginum/Est il donc ainsi/Aptatur’ has 202 notes in the triplum (highest voice), 173 in the motetus (middle voice), and only 103 in the tenor.

1977 Early Music 5 185 A glance through the tripla and dupla of 13th-century motets is enough to show that rhythmic styles could be tolerated in music which made a nonsense of poetic scansion.

This entry has not yet been fully updated (first published 1986; most recently modified version published online June 2018).

单词	triplum
释义	triplumn. /ˈtrɪplʊm/ Forms: Plural tripla. Etymology: medieval Latin, neuter of triplus triple adj.; compare treble n. 4. Music. In thirteenth- and fourteenth-century polyphonic vocal music, the third voice part, next but one above the tenor. ΘΚΠ society > leisure > the arts > music > musical sound > harmony or sounds in combination > [noun] > part in harmony or counterpoint > upper parts treblec1330 quiniblec1390 quatreblea1450 triple1600 triplum1626 superius1653 firsta1774 quintus1883 1626 F. Bacon Sylua Syluarum §109 In one of the lower Strings of a Lute, there soundeth not the Sound of the Treble,..but only the Sound of the Base. 1884 H. C. Deacon in Grove Dict. Music IV. 165 Treble..has been said to be a corruption of Triplum, a third part superadded to the Altus and Bassus. 1944 W. Apel Harvard Dict. Music 223/1 Triplum, quadruplum are other parts above the tenor, frequently of the same range as the duplum. 1954 New Oxf. Hist. Music II. xi. 354 The motet ‘Salve virgo virginum/Est il donc ainsi/Aptatur’ has 202 notes in the triplum (highest voice), 173 in the motetus (middle voice), and only 103 in the tenor. 1977 Early Music 5 185 A glance through the tripla and dupla of 13th-century motets is enough to show that rhythmic styles could be tolerated in music which made a nonsense of poetic scansion. This entry has not yet been fully updated (first published 1986; most recently modified version published online June 2018). < n.1626
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