tienton.

/ˈtjɛnto/

Etymology: Spanish, lit. ‘touch, feel’.

Music.

In sixteenth- and seventeenth-cent. Spanish music: a contrapuntal piece resembling a ricercar, originally for strings and, later, organ.

ΘΚΠ

society > leisure > the arts > music > piece of music > type of piece > piece in specific form > [noun] > fugue > type of

in nomine1565

ricercatac1715

ricercare1773

fugato1876

fughetta1876

triple fugue1876

double fugue1880

tiento1905

mirror fugue1931

clausula1944

1905 C. F. A. Williams Story of Organ Music xi. 163 The compositions of Cabezon's collection consist of nine practice pieces,..short preludes called Versos or Versillos,..[and] longer preludes called Tientos.

1947 A. Einstein Music Romantic Era xvii. 294 The ‘schools’ of the ricercar, whether called fugue as in Germany, tiento as in Spain, or fancy as in England, were different; but the spirit and form were the same.

1976 D. Munrow Instruments Middle Ages & Renaissance ix. 74/4 The solo tiento for harp or organ by Alonso Mudarra, published in his Tres Libros (1546).

1980 Early Music 8 248/1 Some polyphonic works of the period in the tradition of the tiento offer most remarkable variety within their stylistic limitations.

This entry has not yet been fully updated (first published 1986; most recently modified version published online March 2019).

单词	tiento
释义	tienton. /ˈtjɛnto/ Etymology: Spanish, lit. ‘touch, feel’. Music. In sixteenth- and seventeenth-cent. Spanish music: a contrapuntal piece resembling a ricercar, originally for strings and, later, organ. ΘΚΠ society > leisure > the arts > music > piece of music > type of piece > piece in specific form > [noun] > fugue > type of in nomine1565 ricercatac1715 ricercare1773 fugato1876 fughetta1876 triple fugue1876 double fugue1880 tiento1905 mirror fugue1931 clausula1944 1905 C. F. A. Williams Story of Organ Music xi. 163 The compositions of Cabezon's collection consist of nine practice pieces,..short preludes called Versos or Versillos,..[and] longer preludes called Tientos. 1947 A. Einstein Music Romantic Era xvii. 294 The ‘schools’ of the ricercar, whether called fugue as in Germany, tiento as in Spain, or fancy as in England, were different; but the spirit and form were the same. 1976 D. Munrow Instruments Middle Ages & Renaissance ix. 74/4 The solo tiento for harp or organ by Alonso Mudarra, published in his Tres Libros (1546). 1980 Early Music 8 248/1 Some polyphonic works of the period in the tradition of the tiento offer most remarkable variety within their stylistic limitations. This entry has not yet been fully updated (first published 1986; most recently modified version published online March 2019). < n.1905
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