schryarin.

/ʃrɪˈɑːri/

Etymology: Of uncertain origin (see note below).

With plural and singular agreement. A variety of wooden double-reed wind instrument used in the sixteenth and seventeenth centuries and recently revived for the playing of early music. Our knowledge of the schryari comes principally from descriptions and drawings furnished by Praetorius, who regards the term as a plural form related to schreierpfeife n. Later authorities have suggested an Italian or eastern origin, but satisfactory evidence is lacking.

ΘΚΠ

society > leisure > the arts > music > musical instrument > wind instrument > woodwind instruments > [noun] > reed instrument > shawm

shawmc1350

shallec1407

doucine1686

tarogato1907

rauschpfeife1937

schreierpfeife1939

schryari1939

zurla1940

1618–20 M. Praetorius Syntagma Musicum II. xviii. 42 Schryari (Auff deutsch Schreyerpfeiffen) sennd starck vnnd frisch am Laut/können vor sich alleine/vnd auch zu andern Instrumenten gebraucht werden [etc.].]

1939 A. Carse Mus. Wind Instruments xi. 129 Still more shadowy are the schryari or schreierpfeifen of which Praetorius gave a brief description... Not a single specimen is known.

1940 C. Sachs Hist. Mus. Instruments xv. 322 Schryari were loud, shrill, double-reed instruments with a tapering bore and a reed-concealing cap; they had seven fingerholes in front and two in back for the two thumbs.

1964 S. Marcuse Musical Instruments 463/1 Schryari were made in consorts of soprano, alto/tenor, and bass; they had conical tubes with double reed protected by a reed cap, 7 front fingerholes, and 2 rear thumbholes.

1976 D. Munrow Instruments Middle Ages & Renaissance 52/2 The most surprising feature however is that the exterior of the schryari is conical.

This entry has not yet been fully updated (first published 1982; most recently modified version published online June 2021).

单词	schryari
释义	schryarin. /ʃrɪˈɑːri/ Etymology: Of uncertain origin (see note below). With plural and singular agreement. A variety of wooden double-reed wind instrument used in the sixteenth and seventeenth centuries and recently revived for the playing of early music. Our knowledge of the schryari comes principally from descriptions and drawings furnished by Praetorius, who regards the term as a plural form related to schreierpfeife n. Later authorities have suggested an Italian or eastern origin, but satisfactory evidence is lacking. ΘΚΠ society > leisure > the arts > music > musical instrument > wind instrument > woodwind instruments > [noun] > reed instrument > shawm shawmc1350 shallec1407 doucine1686 tarogato1907 rauschpfeife1937 schreierpfeife1939 schryari1939 zurla1940 1618–20 M. Praetorius Syntagma Musicum II. xviii. 42 Schryari (Auff deutsch Schreyerpfeiffen) sennd starck vnnd frisch am Laut/können vor sich alleine/vnd auch zu andern Instrumenten gebraucht werden [etc.].] 1939 A. Carse Mus. Wind Instruments xi. 129 Still more shadowy are the schryari or schreierpfeifen of which Praetorius gave a brief description... Not a single specimen is known. 1940 C. Sachs Hist. Mus. Instruments xv. 322 Schryari were loud, shrill, double-reed instruments with a tapering bore and a reed-concealing cap; they had seven fingerholes in front and two in back for the two thumbs. 1964 S. Marcuse Musical Instruments 463/1 Schryari were made in consorts of soprano, alto/tenor, and bass; they had conical tubes with double reed protected by a reed cap, 7 front fingerholes, and 2 rear thumbholes. 1976 D. Munrow Instruments Middle Ages & Renaissance 52/2 The most surprising feature however is that the exterior of the schryari is conical. This entry has not yet been fully updated (first published 1982; most recently modified version published online June 2021). < n.1939
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