ribattutan.

Brit.

/ˌrɪbəˈtuːtə/, U.S.

/ˌrɪbəˈtudə/

Origin: A borrowing from Italian. Etymon: Italian ribattuta.

Etymology: < Italian ribattuta repeated striking (16th cent.; 17th cent. or earlier in specific musical use) < ribattuta , feminine of past participle of ribattere to strike again (1313) < ri re- prefix + battere to strike ( < post-classical Latin battere : see combat v.). Compare later battuta n.

Music.

An ornament consisting of a repeated sequence of notes, gradually increasing in speed and leading into a trill. Cf. battuta n.

ΘΚΠ

society > leisure > the arts > music > musical sound > duration of notes > proportion of notes or rhythm > [noun] > specific rhythms

triplac1550

semibreve time1591

common measure1597

common time1597

nonupla1597

triple1597

binary measure1609

triple time1654

treble time1686

ternary measure or time1728

alla breve1731

ribattuta1740

four-four time1826

compound time1848

dotted rhythm1872

six-eight tempo1873

six-four1873

six-eight time1884

six-four time1884

six-two time1884

twelve-eight1884

slow drag1901

two-rhythm1901

three-four1902

sprung rhythm1944

songo1978

one-drop1979

1740 J. Grassineau tr. S. De Brossard Musical Dict. 202 Ribattuta, a repeating or sounding again the same note.

1825 J. F. Danneley Encycl. Music Ribattuta, a species of ornamental singing, consisting of a sort of shake, of which every other note is dotted.

1897 T. Baker Dict. Musical Terms (rev. ed.) at Trio A peculiar mode of commencing the trill, called the ribattuta, and still sometimes employed by vocalists, flautists, and violoncellists on account of the smoothness attainable thereby.

1926 Times 16 Jan. 8/2 The ribattuta, a gradual quickening of notes into a shake, is so incessantly used here as to become almost disfiguring.

1964 Musical Q. 50 193 A trill also anchored on the main note, which starts in slow dotted rhythm, accelerates gradually, and ends with a fast trill. It is the ribattuta of the Italians.

2002 D. Ledbetter Bach's Well-tempered Clavier 203 The most likely solution is to use a version of the ribattuta, i.e. beginning on the main note and starting slowly, perhaps after a slight pause to let the main note tell, and get quicker.

This is a new entry (OED Third Edition, June 2010; most recently modified version published online March 2022).

单词	ribattuta
释义	ribattutan. Brit. /ˌrɪbəˈtuːtə/, U.S. /ˌrɪbəˈtudə/ Origin: A borrowing from Italian. Etymon: Italian ribattuta. Etymology: < Italian ribattuta repeated striking (16th cent.; 17th cent. or earlier in specific musical use) < ribattuta , feminine of past participle of ribattere to strike again (1313) < ri re- prefix + battere to strike ( < post-classical Latin battere : see combat v.). Compare later battuta n. Music. An ornament consisting of a repeated sequence of notes, gradually increasing in speed and leading into a trill. Cf. battuta n. ΘΚΠ society > leisure > the arts > music > musical sound > duration of notes > proportion of notes or rhythm > [noun] > specific rhythms triplac1550 semibreve time1591 common measure1597 common time1597 nonupla1597 triple1597 binary measure1609 triple time1654 treble time1686 ternary measure or time1728 alla breve1731 ribattuta1740 four-four time1826 compound time1848 dotted rhythm1872 six-eight tempo1873 six-four1873 six-eight time1884 six-four time1884 six-two time1884 twelve-eight1884 slow drag1901 two-rhythm1901 three-four1902 sprung rhythm1944 songo1978 one-drop1979 1740 J. Grassineau tr. S. De Brossard Musical Dict. 202 Ribattuta, a repeating or sounding again the same note. 1825 J. F. Danneley Encycl. Music Ribattuta, a species of ornamental singing, consisting of a sort of shake, of which every other note is dotted. 1897 T. Baker Dict. Musical Terms (rev. ed.) at Trio A peculiar mode of commencing the trill, called the ribattuta, and still sometimes employed by vocalists, flautists, and violoncellists on account of the smoothness attainable thereby. 1926 Times 16 Jan. 8/2 The ribattuta, a gradual quickening of notes into a shake, is so incessantly used here as to become almost disfiguring. 1964 Musical Q. 50 193 A trill also anchored on the main note, which starts in slow dotted rhythm, accelerates gradually, and ends with a fast trill. It is the ribattuta of the Italians. 2002 D. Ledbetter Bach's Well-tempered Clavier 203 The most likely solution is to use a version of the ribattuta, i.e. beginning on the main note and starting slowly, perhaps after a slight pause to let the main note tell, and get quicker. This is a new entry (OED Third Edition, June 2010; most recently modified version published online March 2022). < n.1740
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