| 单词 | binding descant | 
| 释义 | > as lemmasbinding descant  b.  With modifying word indicating a specific technique or relationship between the parts, as  bass descant,  binding descant,  English descant, etc. Now rare and historical. double descant: double counterpoint.  plain descant: plain or simple counterpoint. ΚΠ 1597    T. Morley Plaine & Easie Introd. Musicke 76  				Two plainesong notes for one in the descant..is commonlie called binding descant. 1597    T. Morley Plaine & Easie Introd. Musicke 86  				Base descant..is that kinde of descanting, where your sight of taking and vsing your cordes must be vnder the plainsong. 1597    T. Morley Plaine & Easie Introd. Musicke 105  				Double descant..is verie neere the nature of a Canon..which being sung after diuers sortes, by changing the partes, maketh diuers manners of harmonie. 1631    E. Bevin Briefe Instr. Art of Musicke 20  				There is also a kinde of double discant which is no Canon, but somewhat of the nature of a Canon. 1667    C. Simpson Compend. Pract. Musick  iv. 110  				Plain Descant (in which was taught the use of the Concords). 1708    J. Harris Lexicon Technicum 		(ed. 2)	 I  				Descant, Figurate or Florid Descant, is that wherein Discords are concerned, as well (though not so much) as concords. 1776    J. Hawkins Gen. Hist. Music IV.  ii. v. 199  				Those sundry points and passages which constitute the difference between figurate and plain descant. 1818    Musical Tour Dr. Minim 25  				There came such a Roundelay in double-descant at the door, that it set all the piano's a jingling. 1841    J. F. Warner Universal Dict. Musical Terms p. xxx/2 in  tr.  G. Weber Gen. Music Teacher  				Plain descant is confined to a simple series of concords. 1917    Musical Times 58 157/1  				Speaking of fugues in double descant, Purcell says: ‘Of this sort, there are some Fuges used by several Authors in Sonata's.’ 1940    G. Reese Music in Middle Ages 398  				Bukofzer..gives the name ‘English discant’ to the English style [sc. with the plainsong in the lowest part], retaining that of ‘fauxbourdon’ for the Continental style. 1977    Music & Lett. 58 406  				Typically of English descant, the plainsong is carried virtually intact in the middle voice. < as lemmas | 
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