Bembon.

/ˈbɛmbəʊ/

Etymology: < the name of Pietro Bembo (1470–1547), Italian cardinal and scholar (see main sense).

Typography.

The name given to a typeface cut in 1929 by the Monotype Corporation after that used by Aldus Manutius (see Aldine adj. and n.) in his edition of De Ætna, a tract by Pietro Bembo.

ΘΚΠ

society > communication > printing > types, blocks, or plates > relating to type > style of type > [noun] > type face or font > others

script1779

Baskerville1802

Egyptian type (letters, figures)1855

hand lettering1864

Garamond1868

runic1869

outline1878

Bodoni type1880

hairline letter1888

bold-face1889

Cheltenham1910

in-line1923

slab serif1924

Bembo1930

Times New Roman1932

Times1957

manifolderc1961

Times Roman1963

1930 Fleuron VII. 178 The consummate distribution of the shading over the finely proportioned skeleton gives the new Bembo a singular ‘presence’ on the page.

1935 W. T. Berry & A. F. Johnson Catal. Specimens Printing Types l The extension of the ascenders makes the 12-point size [of Perpetua] look ‘small’ in comparison with the 12 point of Fournier, Baskerville, and the Aldine Bembo.

1945 O. Simon Introd. Typogr. iii. 12 The roman lower-case letters of Scotch and Baskerville, for instance, are wide and generous, whilst, at the other extreme, Fournier and Bembo occupy considerably less width.

This entry has not yet been fully updated (first published 1972; most recently modified version published online June 2018).

单词	bembo
释义	Bembon. /ˈbɛmbəʊ/ Etymology: < the name of Pietro Bembo (1470–1547), Italian cardinal and scholar (see main sense). Typography. The name given to a typeface cut in 1929 by the Monotype Corporation after that used by Aldus Manutius (see Aldine adj. and n.) in his edition of De Ætna, a tract by Pietro Bembo. ΘΚΠ society > communication > printing > types, blocks, or plates > relating to type > style of type > [noun] > type face or font > others script1779 Baskerville1802 Egyptian type (letters, figures)1855 hand lettering1864 Garamond1868 runic1869 outline1878 Bodoni type1880 hairline letter1888 bold-face1889 Cheltenham1910 in-line1923 slab serif1924 Bembo1930 Times New Roman1932 Times1957 manifolderc1961 Times Roman1963 1930 Fleuron VII. 178 The consummate distribution of the shading over the finely proportioned skeleton gives the new Bembo a singular ‘presence’ on the page. 1935 W. T. Berry & A. F. Johnson Catal. Specimens Printing Types l The extension of the ascenders makes the 12-point size [of Perpetua] look ‘small’ in comparison with the 12 point of Fournier, Baskerville, and the Aldine Bembo. 1945 O. Simon Introd. Typogr. iii. 12 The roman lower-case letters of Scotch and Baskerville, for instance, are wide and generous, whilst, at the other extreme, Fournier and Bembo occupy considerably less width. This entry has not yet been fully updated (first published 1972; most recently modified version published online June 2018). < n.1930
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