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单词 musica reservata
释义

musica reservatan.

Brit. /ˌmjuːzᵻkə ˌrɛzəˈvɑːtə/, U.S. /ˈˌmjuzəkə ˌrɛzərˈvɑdə/
Origin: A borrowing from Latin. Etymon: Latin musica reservata.
Etymology: < post-classical Latin musica reservata (mid 16th cent.) < classical Latin mūsica music n. + reservāta , feminine of reservātus , past participle of reservāre reserve v.1
Music.
A style of 16th-cent. music characterized by heightened expressiveness, usually employing mannerist and chromatic techniques to intensify the imagery and emotion of the words in singing.The precise meaning of reservata here has divided musicologists. Some have supposed it to imply a reserved or restrained compositional technique, characterized by simplicity, clarity, and balance. However, references to musica reservata in 16th-cent. treatises do not bear this out, and it seems more likely that reservata referred not to the style itself but to the fact that the music was reserved for a particular connoisseur audience (see quot. 1972).
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society > leisure > the arts > music > type of music > [noun] > other general types
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Ars Antiqua1886
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early music1886
tone poetry1890
mood music1922
Gebrauchsmusik1930
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modernistic1938
industrial1942
spasm music1943
musica reservata1944
protest music1949
night music1950
palm court music1958
title music1960
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rinky-tink1962
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sweet music1967
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chiptune1992
1944 W. Apel Harvard Dict. Music 467/2 Musica reservata denotes the Renaissance-like clarity, balance, and expressiveness, the full-blooded humanism of the Josquin period, in contrast to the abstract and mysterious transcendentalism of the earlier masters.
1954 G. Reese Music in Renaissance ix. 512 The expression ‘musica reservata’ has become one of the problems of music history.
1972 Composer & Conductor Aug. 1/1Musica reservata’..lends itself to diametrically opposite definitions. Some musicologists describe it as music made suitable for popular use, while others regard ‘musica reservata’ as literally ‘reserved for connoisseurs’.
1980 New Grove Dict. Music XII. 826/2 Musica reservata was in the 1550s both a new and a controversial kind of music, clearly distinguishable from other contemporary repertories.
This entry has been updated (OED Third Edition, March 2003; most recently modified version published online March 2022).
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n.1944
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