单词 | medius |
释义 | mediusn. Music. 1. An intermediate vocal part in polyphonic music, often an alto or second (lower) treble part; = mean n.3 9a. Now historical. ΘΚΠ society > leisure > the arts > music > musical sound > harmony or sounds in combination > [noun] > part in harmony or counterpoint > middle parts mean?a1400 medius1563 seconda1774 society > leisure > the arts > music > musical sound > pitch > system of sounds or intervals > [noun] > medieval mode > notes of modes medius1563 mediant1721 dominant1823 modulation1880 participant1889 1563 T. Sternhold & J. Hopkins (title) Medivs. of the whole psalmes in foure partes, whiche may be song to al musicall instrumentes. 1565 (title) Mornyng and Euenyng prayer and Communion, set forthe in foure partes, to be song in churches. [Title of Part] Medius. 1609 T. Ravenscroft Deuteromelia 17 Freemens Songs of 4. Voices. Treble..Medivs..Tenor..Bassvs. 1758 (title) Divine Melody in twenty-four choice Hymns; the first fifteen were set to Music, in two Parts, by Mr. Prelleur, the rest chiefly by Mr. Moze, who hath also composed a Medius to every Hymn. 1980 Early Music 8 25/1 The part lying above them, generally marked medius, is pitched a fifth higher; the interval between the lowest note of the tenor and contratenor, and the highest note of the medius, is exactly two octaves. 1991 J. Caldwell Oxf. Hist. Eng. Music I. vi. 353 The mature verse anthems include the attractive ‘Christ rising again’, with two soprano (i.e. medius) soloists. ΘΚΠ society > leisure > the arts > music > musical sound > pitch > system of sounds or intervals > [noun] > diatonic scale series > notes in diatonic scale keya1450 seventh1591 fifth1597 final1609 octave1656 sub-octave1659 keynote1677 mediant1721 sensible note?1775 subdominant?1775 submediant?1775 medius1782 leading note1786 nominal1786 subsemitone1799 superdominant1806 supertonic1806 tonic1806 subtonic1817 dominant1823 sensitive note1845 nominal note1884 1782 C. Burney Gen. Hist. Music II. 583 The Mode, the Dominant, and Medius, are all the same [in the three chants]. This entry has been updated (OED Third Edition, June 2001; most recently modified version published online March 2022). < n.1563 |
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