† A mi lan.

Etymology: < French a-mi-la (1673 in a-mi-la-re in the passage translated in quot. 1696; early 18th cent. or earlier as a-mi-la ) < a (see A n. 2b) + mi mi n. + la la n.¹ Compare earlier alamire n. and discussion at that entry.

Music. Obsolete.

In the system attributed to Guido d'Arezzo (see gamut n. 2a): the note A in any hexachord except the lowest; = alamire n.

ΘΚΠ

society > leisure > the arts > music > musical sound > pitch > system of sounds or intervals > [noun] > hexachord > notes of hexachords

cesolfaa1325

G-sol-re-utc1325

lac1325

solc1325

utc1325

effautc1380

alamirea1450

mia1450

rea1450

e-la-mic1550

A mi la1696

1696 E. Sherburne tr. F. Blondel Compar. Pindar & Horace 45 I might..examine whether the Dorick Mode answer to our A mi la, &c. Diatonick [Fr. si le Dorien repond a nostre A mi la re diatonique].

1753 Let. to Author 5 in C. Avison Ess. Musical Expression (ed. 2) Of this System [sc. the diatonic system of the ancients], our A-mi-la, or A-la-mi-re, was the Μίση, the Middle, or Center.

1755 New & Compl. Dict. Arts & Sci. IV. 3291/1 The second [string of the violin]..makes the a mi la.

1819 Encycl. Londinensis XVI. 324/1 The first sharp alights upon F fa; the second upon C sol ut;..the fifth upon A mi la.

This entry has been updated (OED Third Edition, June 2021).

单词	a mi la
释义	† A mi lan. Etymology: < French a-mi-la (1673 in a-mi-la-re in the passage translated in quot. 1696; early 18th cent. or earlier as a-mi-la ) < a (see A n. 2b) + mi mi n. + la la n.¹ Compare earlier alamire n. and discussion at that entry. Music. Obsolete. In the system attributed to Guido d'Arezzo (see gamut n. 2a): the note A in any hexachord except the lowest; = alamire n. ΘΚΠ society > leisure > the arts > music > musical sound > pitch > system of sounds or intervals > [noun] > hexachord > notes of hexachords cesolfaa1325 G-sol-re-utc1325 lac1325 solc1325 utc1325 effautc1380 alamirea1450 mia1450 rea1450 e-la-mic1550 A mi la1696 1696 E. Sherburne tr. F. Blondel Compar. Pindar & Horace 45 I might..examine whether the Dorick Mode answer to our A mi la, &c. Diatonick [Fr. si le Dorien repond a nostre A mi la re diatonique]. 1753 Let. to Author 5 in C. Avison Ess. Musical Expression (ed. 2) Of this System [sc. the diatonic system of the ancients], our A-mi-la, or A-la-mi-re, was the Μίση, the Middle, or Center. 1755 New & Compl. Dict. Arts & Sci. IV. 3291/1 The second [string of the violin]..makes the a mi la. 1819 Encycl. Londinensis XVI. 324/1 The first sharp alights upon F fa; the second upon C sol ut;..the fifth upon A mi la. This entry has been updated (OED Third Edition, June 2021). < n.1696
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