| 单词 | locrian mode |
| 释义 | > as lemmasLocrian mode 2. Music. Originally: designating the 7th eidos or mode of the ancient Greek diatonic series (a-a' in modern terms, but perhaps formerly misunderstood as B-b) (historical). In modern use: designating the diatonic scale b-b', divided at f', or its plagal equivalent f-f'. Chiefly in Locrian mode. [Compare Hellenistic Greek ἡ Λοκριστί ἁρμονία harmony in the Locrian manner, French mode locrien (1777 or earlier). The ancient Greek author Pindar says that a kind of harmony (ἁρμονία) was devised by one of the Locrians (Λοκρῶν τις), who has been identified as Xenocritus.] ΘΚΠ society > leisure > the arts > music > musical sound > pitch > system of sounds or intervals > [noun] > medieval mode > authentic modes Aeolian1589 Ionian1589 authent1597 Dorian mode1603 authentic1609 Ionic1616 Aeolic mode1636 Locrian1753 hyperdorian1761 hyperionian1761 hyperlydian1761 Aeolian mode?1775 Ionian mode?1775 society > leisure > the arts > music > musical sound > pitch > system of sounds or intervals > [noun] > ancient Greek modes > specific Dorian mode1603 Locrian1753 hyperaeolian1761 hyperlydian1761 hypermixolydian1761 hyperphrygian1761 Ionian mode?1775 1753 Chambers's Cycl. Suppl. Locrian, in antient music, the seventh species of the diapason. 1786 T. Busby Compl. Dict. Music Locrian, the name sometimes given by the ancient Greeks to the Hypodorian mode. 1817 T. Busby Dict. Music (new ed.) 138 Hypo-dorian...This mode which sometimes was called the Locrian mode, had its fundamental a fourth below that of the Dorian. 1842 North Amer. Rev. Jan. 189 We find no mention made of Xenocritus,..the inventor, or perfecter, of the Locrian harmony. 1894 D. B. Monro Modes Anc. Greek Music 61 In this case..the upper of the two octaves answers to the Hypo-dorian key, and the lower to the Locrian. 1905 H. E. Woolridge Oxf. Hist. Music II. ii. 199 The Locrian scale of B was purely theoretical, and was of no use except to fill a place in the circle. 1919 Musical Q. Oct. 589 It will be observed that the order of intervals in the Locrian mode corresponds exactly to those of the Hypodorian. 1969 Music Educators Jrnl. 56 50 The Phrygian mode is seldom used, and the Locrian mode never (that I've heard). 1994 F. Macnicol et al. tr. J. Kárpáti Bartók's Chamber Music v. 171 These scales..contrast even better with major-minor tonality than the diatonic modes do (with the exception of the rarely used Locrian). 2002 Music Theory Spectrum 24 75/1 Jazz theorists sometimes call this the ‘locrian #2’ mode, since it is equivalent to the locrian mode with a raised second degree. < as lemmas |
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