auleticadj.

Brit.

/ɔːˈlɛtɪk/, U.S.

/ɔˈlɛdɪk/,

/ɑˈlɛdɪk/

Forms: 1700s auletick, 1700s– auletic.

Origin: A borrowing from Greek. Etymon: Greek αὐλητικός.

Etymology: < ancient Greek αὐλητικός of or for the aulos, (of the soul) suited to playing the aulos, in Hellenistic Greek also (of reeds) used for making auloi < αὐλητής aulete n. + -ικός -ic suffix.Compare classical Latin aulēticos (Pliny), Middle French auletique (1566 in Du Pinet's translation of Pliny), both in the sense ‘used for making reed pipes’. Compare the following earlier examples of the Latin word in English contexts:1601 P. Holland tr. Pliny Hist. World I. xvi. xxxvi. 483 The Orchomenian Cane is hollow throughout from one end to the other, and this they call Auleticus [L. auleticon; Fr. Auletiques], or the pipe Cane; for as the former was fit for flutes, so is this better for great pipes.1601 P. Holland tr. Pliny Hist. World I. xvi. xxxvi. 483 A third sort also there is of Canes, which they called Auleticon [L. auleticon; Fr. Auletiques], for that it serveth to make flutes and pipes of.1633 T. Johnson Gerard's Herball (new ed.) i. xxx. 36 The two principall are these, Auleticae, or Tibiales Arundines, and Arundo vallatoria.

Ancient Greek Music.

Of or relating to the aulos (in early use understood as being a flute or similar instrument: see aulos n.); of, relating to, or characteristic of a player of such an instrument.

ΚΠ

1727 N. Bailey Universal Etymol. Eng. Dict. II Auletick, belonging to Pipes.

1784 G. I. Huntingford Apol. Monostrophics 6 The auletic and citharistic arts are described as Ἁρμονιᾳ και Ρυθμῳ χρωμεναι.

1848 Musical World 1 Jan. 21/1 The auletic and citharistic arts..—as that of the syrinx (pipe)—imitate using only melody and rhythm.

1856 Fraser's Mag. July 20 Ismenias, a famous ‘Theban’ flute-player, was desirous of methodising the practice [sc. the wearing of rings] amongst his auletic brethren.

1916 C. V. Stanford & C. Forsyth Hist. Mus. iii. 66 The Greeks always divided these chants rigidly into kitharedic nomoi..and auletic nomoi.

1966 Greece & Rome 13 99 Pronomus and Klonas, who were composers of prosodia, were famous in the auletic tradition.

2005 S. D. Bundrick Music & Image Classical Athens i. 7 The auletic competition..remained a high point of the Pythian festival.

This entry has been updated (OED Third Edition, September 2017; most recently modified version published online December 2021).

单词	auletic
释义	auleticadj. Brit. /ɔːˈlɛtɪk/, U.S. /ɔˈlɛdɪk/, /ɑˈlɛdɪk/ Forms: 1700s auletick, 1700s– auletic. Origin: A borrowing from Greek. Etymon: Greek αὐλητικός. Etymology: < ancient Greek αὐλητικός of or for the aulos, (of the soul) suited to playing the aulos, in Hellenistic Greek also (of reeds) used for making auloi < αὐλητής aulete n. + -ικός -ic suffix.Compare classical Latin aulēticos (Pliny), Middle French auletique (1566 in Du Pinet's translation of Pliny), both in the sense ‘used for making reed pipes’. Compare the following earlier examples of the Latin word in English contexts:1601 P. Holland tr. Pliny Hist. World I. xvi. xxxvi. 483 The Orchomenian Cane is hollow throughout from one end to the other, and this they call Auleticus [L. auleticon; Fr. Auletiques], or the pipe Cane; for as the former was fit for flutes, so is this better for great pipes.1601 P. Holland tr. Pliny Hist. World I. xvi. xxxvi. 483 A third sort also there is of Canes, which they called Auleticon [L. auleticon; Fr. Auletiques], for that it serveth to make flutes and pipes of.1633 T. Johnson Gerard's Herball (new ed.) i. xxx. 36 The two principall are these, Auleticae, or Tibiales Arundines, and Arundo vallatoria. Ancient Greek Music. Of or relating to the aulos (in early use understood as being a flute or similar instrument: see aulos n.); of, relating to, or characteristic of a player of such an instrument. ΚΠ 1727 N. Bailey Universal Etymol. Eng. Dict. II Auletick, belonging to Pipes. 1784 G. I. Huntingford Apol. Monostrophics 6 The auletic and citharistic arts are described as Ἁρμονιᾳ και Ρυθμῳ χρωμεναι. 1848 Musical World 1 Jan. 21/1 The auletic and citharistic arts..—as that of the syrinx (pipe)—imitate using only melody and rhythm. 1856 Fraser's Mag. July 20 Ismenias, a famous ‘Theban’ flute-player, was desirous of methodising the practice [sc. the wearing of rings] amongst his auletic brethren. 1916 C. V. Stanford & C. Forsyth Hist. Mus. iii. 66 The Greeks always divided these chants rigidly into kitharedic nomoi..and auletic nomoi. 1966 Greece & Rome 13 99 Pronomus and Klonas, who were composers of prosodia, were famous in the auletic tradition. 2005 S. D. Bundrick Music & Image Classical Athens i. 7 The auletic competition..remained a high point of the Pythian festival. This entry has been updated (OED Third Edition, September 2017; most recently modified version published online December 2021). < adj.1727
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