Cubo-Futurismn.

1936 A. H. Barr Cubism & Abstract Art 120 Cubism, Rayonism, Suprematism, Non-Objectivism, Cubo-Futurism, Constructivism had been born and, in some cases, had died.

1962 C. Gray Great Exper. iv. 86 ‘Cubo-Futurism’ is a happier term to describe this Russian movement, alike painting and literary, whose dual development is impossible to separate, and this is the term which I have used to describe work of post-1910, Post-Primitivist, in Russian painting.

1981 Oxf. Compan. 20th-Cent. Art 346/2 With the organization of planes and volumes becoming more prominent and systematic while the importance of the subject diminished pictorially, Malevich achieved the personal interpretation of Analytic Cubism, with some suggestions of Futurism, which he called Cubo-Futurism.

1982 A. Lieven tr. L. A. Zhadova Malevich i. 16 ‘Cubo-Futurism’ as a general and widely-accepted label gained currency at a time when both critics and general public lumped together the pictures of the Cubists and the poems of the Futurists as equally incomprehensible.

1962 C. Gray Great Exper. v. 132 The Woodcutter of 1911 is Malevich's first mature Cubo-Futurist work.

1962 C. Gray Great Exper. vi. 182 The circle of the Moscow Cubo-Futurists.

1969 Glowacki-Prus & McMillin tr. Malevich Ess. on Art 1915–1933 II. 89 I think that we should..create an intermediate ‘Cubo-futurist’ category, which has at the basis of its formation only the sickle-shape formula.

1969 V. Markov Russ. Futurism iv. 119 Shershenevich remarks in his book, ‘In one lecture, they were called “cubo-futurists”, and the name stuck.’

1974 Encycl. Brit. Macropædia XIX. 480/1 In 1912 Malevich exhibited his first ‘cubo-futurist’ works, in which the figures were reduced to dynamic coloured blocks.

1981 Oxf. Compan. 20th-Cent. Art 138/2 Some historians..have used the term ‘Cubo-Futurist’ to describe this primitivist reaction generally, far though it often is from either Cubism or Futurism.