| 释义 |
pada|ˈpɑːdə|
Also padam.
[Skr., = foot.]
a. An Indian lyrical poem set to music. Also attrib.
1880F. S. Growse Mathurā (ed. 2) 212 He is said to have written a Hindi poem called the Dasratna, together with a few short Sákhis and Padas in the same language. 1898B. A. Pingle Indian Mus. (ed. 2) ii. 64 The Dhrupada is a later form of the original Padas or Bhajanas (prayer or praise). 1914[see bhajan]. 1957O. Gosvami Story Indian Mus. xx. 212 The Padam is sung in the same way as the Kriti. 1967Singha & Massey Indian Dances ii. 43 Padas are love lyrics which cover every conceivable aspect of love from the mystic and divine to the earthly and profane. 1968Jrnl. Mus. Acad. Madras XXXIX. 102 Annamacharya says that the songs of one ignorant of the proper style and pattern of pada-composition..would be worthless. 1972P. Holroyde Indian Mus. 275 Padams demand a very dramatized technique of mime gesture and facial expression. 1974B. C. Deva Indian Mus. v. 76 The songs of Bhadrachala Ramadas..are referred to as pada-s.
b. A group of words forming a section of Sanskrit verse; a mode of reciting this.
1887M. Monier-Williams Brāhmanism & Hindūism (ed. 3) xv. 409 These Vedic texts may be recited according to any one or more of the five different Pāthas, or modes of recitation, called Samhitā, Pada, Krama, Jaṭā, and Ghana. 1916A. A. Macdonell Vedic Gram. for Students 449 A hemistich of two or more Pādas is treated as a unit. 1917― Vedic Reader for Students p. xiii, The earliest expedient of this kind was the formation of the Pada or ‘word’ text, in which all the words of the Saṃhitā text are separated and given in their original form as unaffected by the rules of Sandhi. 1965Language XLI. 11 Three instances are accounted for by the pāda devā́n devayaté yaja. 1971Language XLVII. 59 The first three pādas are hyposyllabic as transmitted. |