| 释义 |
Rayonism, Rayonnism|ˈreɪənɪz(ə)m|
Also rayon(n)ism, ‖ rayonnisme.
[ad. F. Rayonnisme, f. rayon rayon1 + -isme -ism; cf. Russ. luchízm, f. luch ray.]
A style of abstract painting developed c 1911 in Russia by M. Larionov (1881–1964) and N. Goncharova (1881–1962), in which projecting rays of colour are used to give the impression that the painting floats outside time and space. Hence ˈRayon(n)ist a., of or pertaining to Rayonism; also as n.; Rayoˈnistic a.
1922Encycl. Brit. XXXII. 9/1 Gontcharova's setting for the 1914 production of the ‘Coq d'Or’ and Larionov's ‘Les Contes Russes’ of 1915 mark the invasion of the theatre by cubist ideas. The colour scheme was still that of Russian peasant art; but the design was based on abstract forms, and aimed at a rhythm in harmony with the music and the dances. To this development the name of rayonnisme has been given. 1956B. S. Myers Encycl. Painting 295 Larionov, Michel (1881–), Russian abstract painter who in 1909 developed a type of painting known as Rayonnism, a dynamic form of space penetration consisting of rays of light and suggesting in some ways the work of the Futurists. 1956Lake & Maillard Dict. Mod. Painting 241/1 Rayonism,..launched by Michael Larionov in 1911–12... A Rayonist canvas must give the impression of gliding out of time. 1968D. Barran tr. Veronesi's Into Twenties iii. 76 Larionov founded the rayonnist movement, loosely based on the concepts of the futurist movement. 1969Denis & de Vries World's Art II. xi. 224 Rayonism in Russia was of the same nature, (Rayonistic Manifesto, 1912, by Larionov). 1972C. W. E. Bigsby Dada & Surrealism ii. 10 In some ways it [sc. Dada] was a part of that artistic re⁓examination which spawned such schools as impressionism, cubism, futurism and, more exotically, suprematism, rayonism, plasticism, vorticism and synchronism. 1975Physics Bull. Feb. 60/3 The art world was no less fertile with the cubists, the futurists, vorticists, rayonnists and the Blauer Reiter group all active. Ibid. 61/1 Rayonnism was a style of painting invented by Mikhail Larionov and used by him and Natalia Goncharova around 1912–14. 1977New Yorker 2 May 31/3 What makes it unique is the inclusion of some dazzling experimental pictures from the early twentieth century—Cubist, Futurist, Rayonist, and Suprematist. |