| 释义 |
ˌdefamiliariˈzation Lit. Theory.
[de- II. 1; tr. Russ. ostranenie (V. Shklovskiĭ, in Poétika (1919), II. 105), lit. ‘making strange’.]
In structuralist (esp. Russian Formalist) theory: the process or result of rendering unfamiliar; spec. of literature, in which formal devices are held to revitalize the perception of words and their sounds by differentiation from ordinary language or (subsequently) from other habituated formal techniques.
1971E. M. Thompson Russ. Formalism ii. ii. 94 S̆klovskij..did not look at defacilitation and defamiliarization only in terms of their being noticeable in one epoch and unnoticeable in another. 1972F. Jameson Prison-House of Lang. ii. 60 The techniques for plot defamiliarization and those of lyric are analogous. 1976T. Eagleton Crit. & Ideology iii. 79 Defamiliarisation may revitalise an ideology for reactionary ends. 1982N. & Q. June 278/2 Terms like ‘authenticity’, ‘phenomenology’, ‘alienation’ and ‘defamiliarization’ float free of any historically determining pain.
Also defaˈmiliarize v. trans., to render unfamiliar; to subject to defamiliarization.
1971E. M. Thompson Russ. Formalism iii. 129 As far as Romantic imagery is concerned, Nekrasov ‘defamiliarized’ it by twisting its conventional meaning. 1976T. Eagleton Crit. & Ideology iii. 79 A text may so ‘foreground’ its signifiers as to radically deform, distantiate, and defamiliarise its signified. 1984Review Eng. Stud. XXXV. 352 He attempts to defamiliarize and deconstruct the text and thus account for its persuasive power. |